1. Deep Space is not the same thing as Deep Focus

2. Narrow Depth of Field

4. Deep Space w/o Deep Focus

5. DEEP SPACE = a M-E-S choice

6. Toland/Welles combine Deep Space and Depth of field to create DEEP FOCUS

7. DEEP FOCUS depends upon M-E-S
Lighting -- enough, also, expressive and directive
Staging -- movement within the frame, narrative develops w/in one shot
Scenic elements, elaborate sets
Emphasize thresholds and planes of space
Ceilings

8. DEEP FOCUS depends upon CINEMATOGRAPHIC EFFECTS
Camera angle and position in relation to scene
Camera movement (in some shots)
Lens technology -- wider angle lens
Overall camera style: craning tracking of other shots triggers us to look into space in other shots
Preconditions our gaze to move into depth.
Penetrating camera moment through the film, provides context for the deep focus shots.
Matte shots -- composite imaging

9. Whip Pan
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10. Prepping for a Crane Shot (David Lean)

11. Crane shoot