2. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology I INTRODUCTION I.3 (Fr Sept 11) Oniontology: Examples

3. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology The Ontology of Music poiesis neutral level aesthesis physical physical psychological psychologicalsymbolic expressionsignificationcontent signs realities communication

4. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Realities: Physical

5. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology hounted Realities: Symbolic

6. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology John Cage: ASLSP (http://www.john-cage.halberstadt.de) http://www.john-cage.halberstadt.de Realities: Symbolic

7. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Gustav Klimt: Beethoven Frieze Realities: Psychological

8. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology  Physical Symbolic Psychic

9. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Arnold Schoenberg/John Cage Communication: Poiseis

10. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Stockhausen Communication: Poiseis

11. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Cecil Taylor/Peter Broetzmann Communication: Poiseis

12. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Karlheinz Stockhausen Klavierstück IX Communication: Poiseis

13. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology with Stockhausen Communication: Aesthesis

14. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Performance/Interpretation Communication: Aesthesis

15. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Communication Aesthesis Neutral Niveau Neutral Niveau Poiesis Jean Molino, Paul Valéry, Nicolas Ruwet, Jean-Jacques Nattiez

16. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology „Firework“ ExpressionSignificationContent Sign aliquidproaliquo Semiotics

17. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology harmonic analysis Sign Sign Content Signification Expression tonal modulation G maj  E-flat maj „score surface“ Semiotics

18. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Communication Neutral Niveau Poiesis Aesthesis Realities Sign Content Physical Symbolic Psychic Signification Expression

19. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Teak Leaves at the Temples Embodiment

20. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology The Oniontology of Music Facts signs realities communication Processes Gestures

21. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Facts Process Gesture to make to refer to to be the case MIDI Embodiment

22. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Facts Process Gesture Embodiment

23. Facts Process Gesture disembodiment & schematization evaluation & dissection Embodiment

24. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Louis Hjelmslev‘s Babuschka-Principle Sign systems are boxed systems, having components, which are composed of sign subsystems, which are again composed of sign subsystems, etc.

25. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology ExpressionSignificationContent Connotation „Firework“ Firework ExpressionSignificationContent

26. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Aesthesis:Listener Neutral Niveau: Recording (e.g. CD) Poiesis:Interpreter

27. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology tip space positionpitchonset Renate Wieland & Jürgen Uhde: Forschendes Üben Die Klangberührung ist das Ziel der zusammenfassenden Geste, der Anschlag ist sozusagen die Geste in der Geste. The sound contact is the target of the embracing gesture, the touch is so to speak the gesture within the gesture.

28. Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology loop Hypergestures! knot „loop of loops “