1. Ancient Greek art

2. Late Geometric

3. Corinthian orientalising jug, circa 620 BC,

4. Detail of a red-figure amphora
depicting a satyr assaulting a maenad,
by Pamphaios (potter) and Oltos (painter),
circa 520 BC, Louvre.

5. Black-figure olpe by the Amasis Painter,
depiciting Herakles and Athena,
circa 540 BC, Louvre.

6. Interior (tondo) of a red figure kylix,
depicting Herakles and Athena,
by Phoinix (potter) and Douris (painter),
circa BC,

7. The Vix crater,
a late Archaic monumental bronze vessel.

8. White-ground lekythos
with a scene of mourning by the Reed painter,
circa BC,
British Museum.

9. 8th century BC votive horse from Olympia (Louvre).

10. Late Archaic terracotta
statue of Zeus and Ganymede,
Olympia Archaeological Museum.

11. Kleobis and Biton,
kouroi of the Archaic period,
c. 580 B.C.
Held at the Delphi Archaeological Museum.

12. Dipylon Kouros,
circa 600 BC,
Athens, Kerameikos Museum.

13. The Moschophoros or calf-bearer
, circa 570 BC,
Athens,
Acropolis Museum.

14. Peplos kore,
circa 530 BC,
Athens,
Acropolis Museum.

15. Charioteer of Delphi
Delphi Archaeological Museum
One of the greatest surviving Greek sculptures
470 B.C.

16. Frieze of the Siphnian Treasury
, Delphi,
depicting a Gigantomachy,
circa 525 BC,
Delphi Archaeological Museum.

17. Bronze Sculpture,
thought to be either Poseidon or Zeus,
c. 460 B.C, National Archaeological Museum,
Athens.
This masterpiece of classical sculpture was found
by fishermen in their nets off the coast of Cape Artemisium in 1928.
The figure is more than 2 m in height.

18. Copy of Polyclitus' Diadumenos,
National Archaeological Museum,
Athens.

19. So-called Venus Braschi by Praxiteles,
type of the Knidian Aphrodite,
Munich Glyptothek.

20. The Marathon Youth,
4th century BC bronze statue,
possibly by Praxiteles,
National Archaeological Museum,
Athens.

21. Hermes, possibly by Lysippos
,National Archaeological Museum,
Athens.

22. Antinous (Roman Hellenistic),
Delphi Archaeological Museum

23. The Winged Victory of Samothrace
(Hellenistic),
The Louvre, Paris

24. Laocoön and His Sons
(Late Hellenistic),
Vatican Museum

25. the only surviving panel paintings from Archaic Greece.
One of the Pitsa panels,
the only surviving panel paintings from Archaic Greece.

26. The Doric style is rather sturdy and its top (the capital), is plain.
This style was used in mainland Greece and the colonies in southern Italy and Sicily.

27. Doric Parthenon - temple of Athena Parthenos ("Virgin"),
Greek goddess of wisdom, on the Acropolis in Athens.
The Parthenon was built in the 5th century BC,
and despite the enormous damage it has sustained over the centuries,
it still communicates the ideals of order and harmony
for which Greek architecture is known.

28. Ionic
The Temple of Athena Nike - part of the Acropolis in the city of Athens. The Greeks built the Temple of Apollo at Didyma,
Turkey (about 300 BC).
The design of the temple was known as dipteral,
a term that refers to the two sets of columns surrounding the interior section.
These columns surrounded a small chamber that housed the statue of Apollo.
With Ionic columns reaching 19.5 m (64 ft) high, these ruins suggest the former grandeur of the ancient temple.

29. The Temple of Hephaistos at Athens,
late 5th century BC.

30. Ionic
The Ionic style is thinner and more elegant.
Its capital is decorated with a scroll-like design (a volute).
This style was found in eastern Greece and the islands.

31. The Corinthian style is seldom used in the Greek world, but often seen on Roman temples.
Its capital is very elaborate and decorated with acanthus leaves.

32. Corinthian Order Corinthian Order:
most ornate of the classic orders of architecture.
It was also the latest,
not arriving at full development until the middle of the 4th cent. B.C.
The oldest known example, however, is found in the temple of Apollo at Bassae (c.420 B.C.).
The Greeks made little use of the order;
the chief example is the circular structure at Athens known as the choragic monument of Lysicrates ( 335 B.C.).
The temple of Zeus at Athens (started in the 2d cent. B.C. and completed by Emperor Hadrian in the 2d cent. A.D.)
was perhaps the most notable of the Corinthian temples.

33. The theatre of Epidauros,
4th century BC.

34. The Erechtheion
on the Acropolis of Athens,
late 5th century BC.

35. temple from the middle classical period of Greek art and architecture,
Ionic Order:
Erechtheum –
temple from the middle classical period of Greek art and architecture,
built on the Acropolis of Athens between 421 and 405BC.

36. Acropolis in Greek means "The Sacred Rock, the high city".
All around the world the Acropolis of Athens is known as 'The Acropolis'.
There are many Acropolises in Greece but the Acropolis of Athens is the best known.
The Acropolis is primarily dedicated to the Goddess Athena.

37. Parthenon
Work began on the Parthenon, built on the Acropolis, in 447 BC to replace an existing temple which was destroyed by the Persians in 480 BC and cost 469 silver talents to build. The work began under the orders of Pericles to show the wealth and exuberance of Athenian power. The name of the building most likely came from a cult statue of Athena Parthenos housed in the eastern room of the building. This magnificent structure was built of ivory and gold and was sculptured by the renowned sculptor Phidias. As with most buildings on the Acropolis it was dedicated to Athena to thank the Goddess for their success. The Parthenon was finally finished in 432 BC and was to show the world the dominance and power of Athens. The vast majority of the money used in the construction came from the Delian League funds. The Delian League was a treaty between the Greek states in league against the Persian Empire. However two years before work started on the Parthenon, the Athenians had struck a peace treaty with the Persians ending the war, although the League continued to exist. It is believed that because of this the league stopped being a mutual defence against Persia but part of the Athenian Empire. This theory was reinforced when Athens moved the Leagues treasury from the Pan-Hellenic sanctuary at Delos to the Parthenon (Opisthodomos room). Not only was the Parthenon a magnificent structure to look at, but it also showed Athenian dominance over the rest of the Greek peninsula and that Athens was its Greek imperial master.