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Published byAnnabella Casey Modified over 9 years ago
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Shona Music and Dance Mbira Music of Zimbabwe
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Zimbabwe Was British colonial “Rhodesia” until 1980 War of independence from Britain: 1966- 1979 Although English is official language, most speak Shona (Bantu language)
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Spiritual Beliefs Strong belief in presence of ancestors and their spirits Many different types of spirits, including family members, chiefs, non-relatives and animals Believe that evil spirits (“witches”) also exist
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The Bira Bira = all-night, family-based ceremony with singing, dancing, and libations Considered primary means of communication with the spirit world Main instrument used: mbiras
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The Mbira Set of long metal keys Soundboard with bridge to hold keys in place Resonator to amplify sound Jingles of various material made to buzz
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Player and Instrument Mbira can be intimate instrument Instrument faces player Instrument produces melody, rhythm, overtones, “white noise” “The mbira’s sound surrounds the player”
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Mbira Music Short repeated phrases with small variations Emphasis not on dazzling improvisation but on the gradual development of a “piece” Usually 4 sections of 12 beats Songs structured on two “parts” – leader (basic melody) and follower (variations)
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Principle of Interlock Playing technique (alternation of fingers) “Leader” and “Follower” parts Polyrhythms generated by 3:2 feel Polyphony generated by multiple melodic “layers” Singing, instrument and hosho shakers play in interlock – none is the “soloist”
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Song: “Nhemumasasa” Each melodic phrase = 3 x 4 note unit = 12 pulses One time through entire musical unit = 3x4 3x4
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