2. Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings, the world the artist portrayed was one of his/her own imagination Works display warmth, emotion, and movement Landscapes conveyed a feeling of mysticism Use of light and color to convey a mood

4. Wanderer Above the Sea of Fog Caspar David Friedrich

6. Chalk Cliffs at Rugen Caspar David Friedrich

8. Cloistered Cemetery in the Snow Caspar David Friedrich

10. Wreck of the Hope or Sea of Ice Caspar David Friedrich

12. Rain, Steam, and Speed Joseph Malford William Turner

14. Liberty Leading the People Eugene Delacroix

16. Execution of the Defenders of Madrid Third of May, 1808 Francisco Goya

17. Dominant after 1850 Among the most important characteristics of Realism are a desire to depict the everyday life of ordinary people, whether peasants, workers, or prostitutes An attempt at photographic realism An interest in the natural environment. The French were leaders in Realist painting. “Realism” was first coined to describe the work of Gustave Courbet

19. The Gleaners Jean Millet

21. The Stonebreakers Gustave Courbet

22. A movement that originated in France in the 1870’s when a group of artists rejected the studios and museums and went out into the countryside to paint nature directly Named after Monet’s description of the effect of light on the French countryside Artists were concerned with representing contemporary experience rather than historical events or the imagination

24. La Pied or The Magpie Claude Monet

26. The Beach at Sainte-Adresse Claude Monet

28. Boulevard des Capucines Claude Monet

30. Cache-Cache or Hide and Seek Berthe Morisot

32. A Bar at the Folies-Bergere Edouard Manet

34. The Boating Party Pierre Auguste Renior

36. The Turkeys at the Chateau de Rottembourg Claude Monet

38. Ladies in the Garden in Ville Avray Claude Monet

40. The Lunch at Argenteuil Claude Monet

41. A late 19th century reaction to Impressionism Artists retained the Impressionists emphasis upon light and color but revolutionized it even further by paying more attention to structure and form Sought to use both color and line to express inner feelings and produce a personal statement of reality rather than an imitation of objects Marked a shift from objective reality to subjective reality; the real beginning of modern art

43. Café Terrace at Night Vincent van Gogh

45. A Turn in the Road at LaRoche-Guyon Paul Cezanne

47. Sunday Afternoon on the Island of the Grand Jatte Seurat

49. Friendship Picasso