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Published byMavis Barber Modified over 9 years ago
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Neoclassical Art France, England, and the United States
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Neoclassicism PERIOD OF THE ENLIGHTENMENT Focused on principle over pleasure---as if society had overdosed on the sweets (and superficiality) of Rococo Differs from Poussin’s classicism from a century earlier--- Neoclassicism’s figures were more naturalistic and solid, less waxen and ballet-like as were Poussin’s
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Neoclassicism VALUES: order, solemnity TONE: calm, rational SUBJECTS: Greek & Roman history, mythology (1738 Pompeii and Herculaneum excavated) TECHNIQUE: Stressed drawing with lines, not color; no trace of brushstrokes ROLE OF ART: Morally uplifting, inspirational
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France
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Watteau, L’Indifferent, 1716
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David, Oath of the Horatii, 1784
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David, Death of Marat, 1793
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David, Coronation of Napoleon, 1805-1808
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Canova, Pauline Borghese as Venus, 1809
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England
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Canova, Pauline Borghese as Venus, 1809
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Kauffmann, Cornelia, Mother of the Gracchi, 1785
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Boyle & Kent, Chiswick House, 1725, London, England
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Wood the Younger, Royal Crescent, 1769-1775, Bath, England
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The United States
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Jefferson, Monticello, 1770-1806, Charlottesville, Virginia
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Copley, Paul Revere, 1768- 1770
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West, The Death of General Wolfe, 1771
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