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Chapter 8: The Renaissance in Italy
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The Renaissance Spirit in Italy Renaissance – It literally means rebirth. – The term applied to the relearning of the Greek and Roman humanities.
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The Renaissance Spirit in Italy Patronage & the Italian City-States – Florence – Milan – Venice – The Papal States – The Kingdom of Naples
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The Renaissance Spirit in Italy Patronage & the Italian City-States – The de Medici of Florence The most prolific family in the contribution to the arts. Under Lorenzo de Medici the Italian Renaissance reached its high point.
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The Renaissance Spirit in Italy Patronage & the Italian City-States – Roman History The concept of civic humanism came from the ideals of the Roman Republic. Also Stoicism played a role in the advancement of self- interest for the benefit of the civic good.
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The Early Renaissance Art – Filippo Brunelleschi Deemed the greatest architect of all the Renaissance. His masterpiece was the dome bearing his name built on the Pazzi chapel.
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The Early Renaissance Art – Tommaso di Giovanni (aka Masaccio) The first artist to truly perfect the use of perspective.
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The Early Renaissance Art – Tommaso di Giovanni (aka Masaccio) Atmospheric Perspective is accomplished by the blurring of depth. Linear Perspective is accomplished by the shrinking of images to achieve depth.
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The Early Renaissance Art – Sandro Botticelli He began using classical mythology with Christian symbology.
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The Early Renaissance Art – Sandro Botticelli The Birth of Venus
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The Early Renaissance Music – It was believed that a closer link between music and poetry should occur while imitating the ancients.
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The Early Renaissance Music – Madrigal It was a song set in four parts with each part performed by one singer. It was a poem with no repeating stanzas or refrains.
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The Early Renaissance Music – Word Painting The concept represented the musical depiction of a text’s meaning. It was inspired by Petrarch’s love of poetry. Petrarch
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The Early Renaissance Sculpting – Donatello He is credited with reinventing the freestanding nude in the classical style.
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The Early Renaissance Sculpting – Donatello David
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The Early Renaissance Sculpting – Michelangelo Buonarroti He is considered Donatello’s greatest revival.
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The Early Renaissance Sculpting – Michelangelo Buonarroti He excelled in nearly every artistic medium. David
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The Early Renaissance The Fall of Florence – Savonarola He was a monk who attacked the pagan pleasure seekers of Florence, making himself a morality dictator. His high point became known as the “Bonfire of the Vanities” in which all vices, including the arts, were publically burned.
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Renaissance Genius Niccolo Machiavelli – He wrote the work, The Prince, in honor of Lorenzo de Medici. – It was a how to run the government taking a secular (non-religious) viewpoint.
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Renaissance Genius Leonardo da Vinci – Commonly regarded as the “Renaissance Man.” – He excelled in the arts, mathematics, and the sciences.
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Renaissance Genius Leonardo da Vinci – His only rival artistically was Michelangelo. – His creation of the classical triangle became a staple of Renaissance painting. – His use of sfumato, the blurring of outlines, also became a common practice.
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The High Renaissance The epicenter of the High Renaissance was Rome.
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The High Renaissance Josquin des Prez – Regarded as the greatest composer of the age. – He merged northern European polyphony with Italian chordal harmonies. – He popularized imitation, melody that is duplicated by succeeding voices.
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The High Renaissance Raphael (Raffaello Sanzio) – He became the chief artist for the papacy.
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The High Renaissance Raphael (Raffaello Sanzio) – His most famous work was the School of Athens.
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The High Renaissance Michelangelo in Rome – He was also brought in by the papacy.
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The High Renaissance Michelangelo in Rome – The painting of the Sistine Chapel was one of the hi-lights of his work.
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The High Renaissance The Reconstruction of St. Peter’s Chapel – The Players all contributed designs for the chapel. Bramante Sangallo Michelangelo Bramante Sangallo Michelangelo
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The High Renaissance The Reconstruction of St. Peter’s Chapel – Carlo Maderno, in 1606, combined the plans, keeping true to the Greek cross design originally proposed by all of the original architects.
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