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Musical Theatre’s Essentials Ms. Lirette Fall 2014
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Structure Shows since Rogers and Hammerstein Succeed due to their structure Even when the audience doesn’t know it. Until Show Boat (1927), musicals were mostly revue-style shows Librettos with stock characters Cliché situations Songs and plots not necessarily linked
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Tin Pan Alley
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Vaudeville
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Spice of 1922
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Shuffle Along Broadway 1921 first financially successful Broadway play to have African-American writers and an all African-American cast
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Songs and Theatre Intellectual and emotional response Connected to the plot? What is the aim of a song?
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Possible aims of a theatrical song Pleasant musical interlude In integrated musicals Tell something about the character Create the proper mood for a scene Advance the plot Disadvantages to this model? Songs may NEED the context of the show to succeed. Sell the show “production number”
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