1. Women as Center

2. Elements of women’s art Uniform density Overall texture Often sensuously tactile and repetive Detailed to the point of obsession Preponderance of circular forms Central focus Inner space (sometimes contradicting the first aspect) A ubiquitous liner bag or parabolic form that turns in on itself Layers, or strata, or veils Indefineable looseness Flexibility of handling Windows Autobiographical content Animals flowers, Certain kind of fragmentation New fondness for the pinks and pastels and ephemeral cloud colors.

3. Women as ‘center’

4. Womanhouse

5. Camille Grey, Lipstick Bathroom, 1972

6. Beth Bachenheimer, Sherry Brody, Karen LeCoq, Robin Mitchell, Miriam Schapiro, Faith Wilding, Dining Room, 1972.

7. Sandy Orgel, The Linen Closet, 1972 “this is exactly where women have always been – in between the sheets and on the shelf. It is now time to come out of the closet”

8. Judy Chicago, Menstruation Bathrom, 1972

10. Schapiro and Sherry Brody, Dollhouse, 1972

11. Sandra Ogle, Ironing

12. Waiting

13. Judy Chicago’s Dinner Party

16. Chicago, Dinner Party, 1974-9

17. Wing I: From Prehistory to the Roman Empire 1. Primordial Goddess 2. Fertility goddess 3. Ishtar 4. Kali 5. Snake Goddess 6. Sophia 7. Amazon 8. Hatshepsut 9. Judith 10. Sappho 11. Aspasia 12. Boudica 13. HypatiaPrimordial GoddessFertility goddessIshtarKaliSnake GoddessSophiaAmazonHatshepsutJudithSapphoAspasiaBoudicaHypatia

18. Wing II: From the Beginnings of Christianity to the Reformation 14. Marcella 15. Saint Bridget 16. Theodora of Byzantium 17. Hrosvitha 18. Trotula of Salerno 19. Eleanor of Aquitaine 20. Hildegard of Bingen 21. Petronilla de Meath 22. Christine de Pisan 23. Isabella d'Este 24. Elizabeth I of England 25. Artemisia Gentileschi 26. Anna van SchurmanMarcellaSaint BridgetTheodora of ByzantiumHrosvithaTrotula of SalernoEleanor of AquitaineHildegard of BingenPetronilla de MeathChristine de PisanIsabella d'EsteElizabeth I of EnglandArtemisia GentileschiAnna van Schurman

19. Wing III: From the American to the Women’s Revolution 27. Anne Hutchinson 28. Sacajawea 29. Caroline Herschel 30. Mary Wollstonecraft 31. Sojourner Truth 32. Susan B. Anthony 33. Elizabeth Blackwell 34. Emily Dickinson 35. Ethel Smyth 36. Margaret Sanger 37. Natalie Barney 38. Virginia Woolf 39. Georgia O'KeeffeAnne HutchinsonSacajaweaCaroline HerschelMary WollstonecraftSojourner TruthSusan B. AnthonyElizabeth BlackwellEmily DickinsonEthel SmythMargaret SangerNatalie BarneyVirginia WoolfGeorgia O'Keeffe

27. Contemporary Women Artists

28. Critique/ challenge of objectification of women

29. Barbara Kruger, Your Gaze Hits the Side of My Face, 1981

30. Kruger, Untitled, 1981

31. Untitled, 1981

32. Critique/challenge of male power

33. Untitled, 1981

35. Untitled, 1982

36. Jenny Holzer, 1982

37. Untitled, 1990

38. Cindy Sherman, Untitled Film Still, 1966

39. 1981

40. 1990s

41. Sherrie Levine, After Walker Evans, 2001

42. Guerrilla Girls

46. Gender/Race

47. From Tarzan to Rambo: English Born `Native' Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction 1987

48. Jaune Quick-to-See Smith, Red Lake Series #5, 1981

49. Alphabet, 1985

50. Catherine Opie, Bo, 1991

52. Self-Portrait, 1993

53. Coco Fusco and Guillermo Gomez-Peña in their cage during the performance of Undiscovered Amerindians.

54. They aimed to conduct a "reverse ethnography... Our cage became a blank screen onto which audiences projected their fantasies of who and what we are. As we assumed the stereotypical role of the domesticated savage, many audience members felt entitled to assume the role of colonizer, only to find themselves uncomfortable with the implications of the game" (Fusco 47).

55. Adrian Piper, Self-Portrait as a Nice White Lady, 1995

56. Motherhood/Domestic Life

57. Ladermen Ukeles

58. Sylvia Mangold

59. Paula Rego, Family, 1988

60. Mary Kelly, Post-Partum Document, 1973-9

62. Analyzed feces stain and feeding chart

63. Analyzed utterances and related speech events

64. Analyzed markings and diary perspective schema

65. Transitional objects

66. Classified specimens, proportional diagrams, statistical tables, research index

67. Faith Ringgold’s “Who’s Afraid of Aunt Jemima”

68. Mona Hataom, Pull,

69. Annette Messager, Histoire des Robes, 1990

70. Louise Bourgeois, Arch of Hysteria, 1993

71. Kiki Smith, Untitled, 1993

72. Faith Ringgold, Aunt Emmy, 1999

73. Zaha Hadid, London Aquatic Center