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Published byMuriel O’Brien’ Modified over 9 years ago
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Literary Elements Short stories aren’t short on what matters
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THE BIG SIX Point of view Setting Plot Conflict Characterization Theme
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POINT OF VIEW First Person story is told by the protagonist or one of the characters who interacts closely with the protagonist or other characters using pronouns I, me, we, etc. The reader sees the story through this person's eyes as he/she experiences it and only knows what he/she knows or feels.
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Omniscient Author moves from character to character, with free access to the thoughts, feelings and motivations of all introduces information where and when the author chooses
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Omniscient Limited third person (using pronouns they, she, he, it, etc). know only what the character knows and what the author allows him/her to tell us We can see the thoughts and feelings of other characters if the author chooses to reveal them to us.
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SETTING The time and location in which a story takes place For some stories the setting is very important, while for others it is not.
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SETTING CONT’D Aspects to consider when examining how setting contributes to a story:
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place - geographical location. Where is the action of the story taking place?
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time - When is the story taking place? (historical period, time of day, year, etc)
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weather conditions - Is it rainy, sunny, stormy, etc?
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social conditions - What is the daily life of the characters like? Does the story contain writing that focuses on the speech, dress, mannerisms, customs, etc. of a particular place?
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mood or atmosphere - What feeling is created at the beginning of the story? Is it bright and cheerful or dark and frightening?
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PLOT The plot is how the author arranges events to develop his basic idea It is the sequence of events in a story
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PLOT CONT’D There are five essential parts of plot: Introduction - beginning of the story where the characters and the setting is revealed. Rising Action - events in the story become complicated and the conflict in the story is revealed Climax - highest point of interest, turning point of the story The reader wonders what will happen next; will the conflict be resolved or not? Falling action - events and complications begin to resolve themselves. Resolution - final outcome or untangling of events in the story.
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CONFLICT Without conflict there is no plot It is the opposition of forces which ties one incident to another and makes the plot move There may be only one central struggle, or one dominant struggle with many minor ones
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TYPES OF CONFLICT External - A struggle with a force outside one's self. Internal - A struggle within one's self; a person must make some decision, overcome pain, quiet their temper, resist an urge, etc.
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KINDS OF CONFLICTS Man vs. Man (physical) - The leading character struggles with his physical strength against other men, forces of nature, or animals. Man vs. Circumstances- The leading character struggles against fate, or the circumstances of life facing him/her. Man vs. Society- The leading character struggles against ideas, practices, or customs of other people. Man vs. Himself/Herself- The leading character struggles with himself/herself; with his/her own soul, ideas of right or wrong, physical limitations, choices, etc
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CHARACTERIZATION Two types: Direct Revealed through the author’s direct statements Exs.: Scrooge was stingy. Hailey had a kind heart. Indirect Revealed through: What characters say (dialogue) What they do (action) What they think (internal dialogue) What others say about them
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CHARACTER TYPES Flat Poorly developed personality often a minor character in a work of fiction who does not undergo substantial change or growth in the course of a story Round many sided and complex personalities Static Stereotype have one or two characteristics that never change and are emphasized Exs: brilliant detective, drunk, scrooge, cruel stepmother, etc Dynamic often change, for better or worse, by the end of the story
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CHARACTER TYPES CONT’D Stock based on a common literary or social stereotype rely heavily on cultural types or names for their personality, manner of speech, and other characteristics related to literary archetypes Foil a character who contrasts with another character (usually the protagonist) in order to highlight particular qualities of the other character
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THEME The author's underlying meaning or main idea that he is trying to convey.
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THEME CONT’D Examples of common themes from literature, TV, and movies are: Things are not always as they appear to be Love is blind Believe in yourself People are afraid of change Don't judge a book by its cover
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