Download presentation
Presentation is loading. Please wait.
Published byAmbrose Ball Modified over 9 years ago
1
Italy MASACCIO, Holy Trinity, ca. 1424– 1427. Fig. 8-23.
2
Italy Example: Fresco in church, donor portraits Applies linear perspective based on location of viewer’s eye Illusionistic extension of viewer’s space Classical architectural vocabulary MASACCIO, Holy Trinity, ca. 1424–1427. Fig. 8-23.
3
Italy SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Fig. 8-27.
4
Italy Example: Master of line Based on poem by humanist Created for Medici Mythology Venus inspired by classical sculpture Revival of female nude SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Fig. 8-27.
5
Italy MICHELOZZO DI BARTOLOMMEO, Palazzo Medici-Riccardi, 1445. Fig. 8-31.
6
Italy Example: Powerful patron Rustication on lower level Dressed masonry above Heavy cornice at top Plan organized around interior court with round- arched colonnade Clarity and rationality of Renaissance forms MICHELOZZO DI BARTOLOMMEO, Palazzo Medici- Riccardi, 1445. Fig. 8-31.
7
Italy LEON BATTISTA ALBERTI, Santa Maria Novella, Florence, 1456–1470. Fig. 8-33.
8
Italy Example: Architectural theorist Treatise presents rules of Renaissance architecture Application of classical elements Temple frontal, scrolls Proportional relationships LEON BATTISTA ALBERTI, Santa Maria Novella, Florence, 1456– 1470. Fig. 8-33.
9
Italy LEON BATTISTA ALBERTI, Sant’Andrea, 1470. Fig. 8-36.
10
Italy Example: For princely court Temple frontal and triumphal arch Proportional relationships mean façade too short Interior coffered barrel vault Colossal order pilasters LEON BATTISTA ALBERTI, Sant’Andrea, Mantua, 1470. Fig. 8-36.
11
Italy ANDREA MANTEGNA, Camera Picta, 1465–1474. Fig. 8-38.
12
Italy Example: For princely patron Propaganda Images of court life Pictorial illusionism Trompe l’oeil oculus painted di sotto in su Unified perspectival space ANDREA MANTEGNA, Camera Picta, 1465–1474. Fig. 8-38.
Similar presentations
© 2025 SlidePlayer.com. Inc.
All rights reserved.