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Published byBetty Gordon Modified over 9 years ago
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Mannerism Mannerism is a period of European painting, sculpture, architecture and decorative arts lasting from the later years of the Italian High Renaissance around 1520 until the arrival of the Baroque around Stylistically, it identifies a variety of individual approaches influenced by, and reacting to, the harmonious ideals associated with Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its artificial, as opposed to naturalistic, and its intellectual qualities More important than his carefully recreated observation of nature was the artist’s mental conception and its elaboration. This intellectual bias was, in part, a natural consequence of the artist’s new status in society. No longer regarded as craftsmen, painters and sculptors took their place with scholars, poets, and humanists in a climate that fostered an appreciation for elegance, complexity, and even precocity.
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el Greco
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The Trinity , oil on canvas, Museo del Prado, Madrid
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The Burial of the Count of Orgaz
The Burial of the Count of Orgaz Oil on canvas, 480 x 360 cm Santo Tomé, Toledo
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Agony in the Garden
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Saint Martin and the Beggar
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Tintoretto
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The Last Supper
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The Crucifixion
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Baroque In the arts, Baroque is a period as well as the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music. The style started around 1600 in Rome, Italy and spread to most of Europe. In music, the Baroque applies to the final period of dominance of imitative counterpoint, where different voices and instruments echo each other but at different pitches, sometimes inverting the echo, and even reversing thematic material.[
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Caravaggio
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Judith Slaying Holofernes
c Oil on canvas, 145 x 195 cm Galleria Nazionale d'Arte Antica, Rome
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The Calling of Saint Matthew
Oil on canvas, 322 x 340 cm Contarelli Chapel, San Luigi dei Francesi, Rome
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The Crucifixion of Saint Peter
1600 Oil on canvas Cerasi Chapel, Santa Maria del Popolo, Rome
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The Conversion of St. Paul
1600 Oil on cypress wood, 237 x 189 cm Odescalchi Balbi Collection, Rome
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The Conversion on the Way to Damascus
1600 Oil on canvas, 230 x 175 cm Cerasi Chapel, Santa Maria del Popolo, Rome
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The Sacrifice of Isaac c Oil on canvas, 116 x 173 cm Piasecka-Johnson Collection, Princeton
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The Crowning with Thorns
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Gentileschi
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Judith Slaying Holofernes
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Susanna and the Elders (1610)
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Rembrandt
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The Blinding of Samson, 1636, Stadelscleskunstinstut, Frankfurt
Rembrandt The Blinding of Samson, 1636, Stadelscleskunstinstut, Frankfurt
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Anatomy Lesson of Dr. Nicolas Tulp
Rembrandt, 1632 Oil on canvas, 169,5 x 216,5 cm Mauritshuis, The Hague
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Descent from the Cross Rembrandt 1633, oil on wood
Pinakothek at Munich
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Rubens
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The Garden of Love Rubens,1630 oil on canvas, Museo del Prado, Madrid
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Reception of Marie de Medici in Marsaille
Rubens, oil on canvas, Musée du Louvre, Paris
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Descent from the Cross Rubens
Oil on panel, 421 x 311 cm (centre panel)
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Bernini
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David by Bernini Marble, height 170 cm Galleria Borghese, Rome
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Ecstasy of St. Theresa, 1647-52 Bernini
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Vermeer
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5.53 Johannes Vermeer Interior with a Woman Reading a Letter c Oil on canvas. 18 1/3” x 15 1/3” Dutch Baroque
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Johannes Vermeer A Maidservant Pouring Milk c Oil on canvas 1’57/8” x. 1’ 4 1/8” Dutch Baroque
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Woman Holding a Balance
1664, National Gallery of Art at Washington D.C.
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Rococo Rocaille, coquille Interior design for aristocracy
Gilded molding, ornamentation Fun, frivolous Silvers, pastels intimacy Bach, Viladi Age of Enlightenment (18th century) salonnières
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Jean Honoré Fragonard The Swing 1767 Rococo
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William Hogarth Marriage à la mode II 1745 Oil on canvas
English Rococo
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