1. Baroque Instrumental Music Continued

2. Review Five Categories  Fugal  Canzona  Improvizational Works  Variations  Dances Two General Categories  Ensemble  Keyboard

3. Keyboards Pipe Organ  Religious Settings Primarily  German  German Importance –Lutheran Ensemble Later Baroque Instrumental Music

6. Keyboards Pipe Organ  Religious Settings Primarily  German  German Importance –Lutheran Harpsichord  Secular Settings  French  French Importance Ensemble Later Baroque Instrumental Music

10. Keyboards Pipe Organ  Religious Settings Primarily  German  German Importance –Lutheran Harpsichord  Secular Settings  French  French Importance Ensemble Strings  Violin(s) Mainly  Religious and Secular  Italian  Italian Importance Later Baroque Instrumental Music

11. Pipe Organ Music-Toccata NAWM 73 (first half) T 6 SVirtuoso (Pedal) HUncertain Flow MIrregular Phrases R x Drive FFree TSudden Changes

12. Pipe Organ Music-Fugue Contrasting Section NAWM 71 (second half) (p.424) Imitative Counterpoint Compositional Characteristics/devices –Subject –Answer –Episode –Pedal Point –Stretto –Augmentation (2x) –Diminution (1/2x)

13. Pipe Organ Music Chorale Based Compositions  Lutheran Chorale –Tune used in Variations –Fugue subject –Prelude Unornamented Long Tones –NAWM 72 (p. 428) Dietrich Buxtehude (c.1637-1707)  St. Mary’s in Lübeck