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Basic Differences Writing vs. Screenplay Novel Gardner (2003)

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Presentation on theme: "Basic Differences Writing vs. Screenplay Novel Gardner (2003)"— Presentation transcript:

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2 Basic Differences Writing vs. Screenplay

3 Novel Gardner (2003)

4 Novel

5 WRITE SOMETHING…!!!

6 ?

7 Screenplay

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9 Other Differences (Camera Angles, how something is said, etc) Novel vs. Screenplay

10 Perfect Example: Script Said: “Talks to himself in mirror”

11 NOVEL: mainly internal thought & dialogue STAGE PLAY : mainly verbal Interaction SCREEN PLAY: mainly images & action

12 “I just ran into a….”

13 “I just ran into a TREE….”

14 Are you SHOWING or TELLING…? Double Check in your: 1. Dialogue 2. Action (said, thought, came, sent, introduced, etc. can also be SHOWN.) Psychology of the image

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16 Shock (for the moment) SHORT TERM MEMORY vs. Visceral Experience (emotional-based) LONG TERM MEMORY Shock here is short term

17 Recovery, leads to extinction of the stimulus Visceral, one takes personal/emotion leads to even more sensitization of the stimulus All three must be activated for a Visceral experience

18 SHOCK (for the moment) SHORT TERM MEMORY VISCERAL Experience (emotional-based) LONG TERM MEMORY Shock Let’s look at some images that create a visceral experience, ones that hit our emotions

19 “Suspense is when the audience knows something the character in the film doesn’t…” - Alfred Hitchcock

20 X – Men: Having to hide who you are

21 1.) A woman is murdered 2.) Husband is arrested 3.) Girl friend finds proof he is guilty 4.) She helps him in trial 5.) He is acquitted 6.) They go to Bahamas

22 1.) A woman is murdered 2.) Husband is arrested 3.) Girlfriend helps him at trial 4.) He is acquitted 5.) They go to Bahamas 6.) Girl friend finds proof he is guilty Can not stress the importance to look at your story in the context of sequence

23 Many will spend a lot of time changing words Spend some time changing sequence – at least EXPLORE change of sequence in some of your scenes SEQUENCE CAN CHANGE ATTRIBUTES OF CHARACTERS In the first scenario girlfriend is a guilty accomplice, in the second she is an innocent and now very vulnerable victim

24 “ A character is a collection of qualities.” -Aristotle External Qualities – expressed in the midst of others examples: ethics & deceit Internal Qualities – what resides in the core of our personality examples: ambition & laziness External qualities are symptoms of the inner character..for when you hear from critics….your characters weren’t DEEP enough….

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26 Psychologically We move from feeling we are the best person in the world (smartest, sensible, clever, etc.) to the worst person in the world. If we do this in real life, your story must ALSO give the same ‘roller coaster’ ride Otherwise your story is not as emotionally charged as one’s own experiences. The AUDIENCE

27 Audiences LOVE & PSYCHOLOGICALLY NEED: To FEEL – live life not yet experienced or reliving life To THINK – figuring out the puzzle

28 The influence of technology

29 Cultural Tends….also….who is/will be making films..

30 Cultural Trends: film is now international…Think about a world-wide market when writing (characters, settings, etc)…and the technical delivery options now available

31 Commercial Trends….also…. It used to be only these guys:

32 Commercial Tends….also….now you have….

33 QUESTIONS…?


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