1. SHAPE IN SPACE

2. CONCEPT OF SPACE

3. Space and all the shapes of the reality have three dimensions: CONCEPT OF SPACE

4. Space and all the shapes of the reality have three dimensions: 1. The height or length CONCEPT OF SPACE

5. Space and all the shapes of the reality have three dimensions: 1. The height or length 2. The width CONCEPT OF SPACE

6. Space and all the shapes of the reality have three dimensions: 1. The height or length 2. The width 3. The depth 2.La anchura, 3.La profundidad. CONCEPT OF SPACE

7. up down height left right width near far depth

8. We can also walk through this space, changing the point of view and therefore transforming the apparent way we see.

9. Everything we see will change its size (in appearance), if we get close or we move away.

10. THE POSITION OF THE HUMAN BEING, CONDITIONS THE WAY OUR EYES PERCEIVE THE SPACE THE FIELD OF VISION IS DIVIDED IN TWO SIDES: THE FIELD OF HEAVEN AND EARTH PLANE DIVIDED BY THE HORIZON LINE.

11. The horizon line is an imaginary line that facing forward, is at the height of our eyes. If we look to the sea, the horizon coincides with the imaginary line that divides the sky from the sea Depending on how we look at the sea (standing, sitting or lying) the skyline will change position in the plane to represent.

12. WE ARE GOING TO PRACTICE WITH VIEWS AND HORIZON LINE

17. HORIZON LINE UP HORIZON LINE DOWN

18. REPRESENTATION OF SPACE

19. WE HAVE SEEN THAT TO REPRESENT THE SHAPES IN SPACE, WE HAVE SEVERAL RESOURCES TO SIMULATE DEPTH AS: REPRESENTATION OF SPACE

20. WE HAVE SEEN THAT TO REPRESENT THE SHAPES IN SPACE, WE HAVE SEVERAL RESOURCES TO SIMULATE DEPTH AS: SUPERPOSITION REPRESENTATION OF SPACE

21. WE HAVE SEEN THAT TO REPRESENT THE SHAPES IN SPACE, WE HAVE SEVERAL RESOURCES TO SIMULATE DEPTH AS: SUPERPOSITION SIZE VARIATION

22. REPRESENTATION OF SPACE WE HAVE SEEN THAT TO REPRESENT THE SHAPES IN SPACE, WE HAVE SEVERAL RESOURCES TO SIMULATE DEPTH AS: SUPERPOSITION SIZE VARIATION COLOR INTENSITY AND CLARITY

23. SUPERPOSITION

28. SIZE VARIATION

32. COLOR INTENSITY AND CLARITY

36. But we can also draw using the

37. PERSPECTIVE

38. CONIC PERSPECTIVE

39. To work with the conic perspective we need to clear some elements: CONIC PERSPECTIVE

40. To work with the conic perspective we need to clear some elements:

41. Vanishing point It is where the extensions of any straight line are located in the depth dimension CONIC PERSPECTIVE To work with the conic perspective we need to clear some elements:

42. Viewpoint from which the scene is observed CONIC PERSPECTIVE To work with the conic perspective we need to clear some elements: Vanishing point It is where the extensions are of any straight line located in the depth dimension

43. Horizon height represented by a horizontal line (LH) CONIC PERSPECTIVE To work with the conic perspective we need to clear some elements: Vanishing point It is where the extensions are of any straight line located in the depth dimension Viewpoint from which the scene is observed

44. If we prolonged the lines that define the outline of the house, the gett to a point on the horizon called the vanishing point

45. If we prolonged the lines that define the outline of the house, they get to a point on the horizon called the vanishing point

46. We can find more than one vanishing point, depending on the observer's point of view.

49. The space between the lines that converge at the vanishing point is decreasing with distance, marking the progressive decrease in the size of things as they are getting away.