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Romanticism Imagination over Reason Feeling over Thinking
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Romanticism’s Interests Ever changing and wild character of nature Fascination with power and violence Interest in contemporary politics Gothic Stories Fascination with the insane & the subconscious Appeal to Middle Ages rather than Classicism Focus on Sublime: feelings of awe mixed with terror
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Fuseli, The Nightmare, 1781
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Blake, Ancient of Days, 1794
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Blake, Ancient of Days, 1794 “When he set a compass upon the face of the deep” Proverbs 8:22-23
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Pianesi, Prison 14, 1750
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Gros, Napoleon at the Pesthouse of Jaffa, 1804
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Gericault, Raft of the Medusa, 1818-1819
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Gericault, Insane Woman 1822-1823
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Delacroix vs. Ingres
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Delacroix, Liberty Leading the People, 1830
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Delacroix, Death of Sardanapalus, 1826
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Ingres, Grand Odalisque, 1814
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Odalisque Turkish word for Harem girl Sometimes used to refer to reclining or recumbent female nude
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Ingres, Grand Odalisque, 1814
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Ingres, Apotheosis of Homer, 1827
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Goya
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Goya, Family of Charles IV, 1800
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Goya, Third of May 1808, 1814
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Goya, Saturn Devouring One of His Children, 1819-1823
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http://www.artchive.com/g alleries/goya/view1.html
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Romantic Landscape Painting
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Constable, Hay Wain, 1821
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Turner, Slave Ship, 1840
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Friedrich, Abbey in an Oak Forest, 1810
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Hudson River School America’s first art movement
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Cole, The Oxbow, 1836
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Church, Twilight in the Wilderness, 1860s
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Romantic Architecture & the Beginnings of Modern Architecture
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Nash, Royal Pavilion, 1815-1818, Brighton, England
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Barry & Pugin, Houses of Parliament, 1835, London, England
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Neo Gothic
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Barry & Pugin, Houses of Parliament, 1835, London, England
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Neo Baroque Beaux Art Style
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Symmetrical design Extremely ornamental exteriors Central core---radial extensions from this center Majestic, lavish; appealed to values of wealthy folks Dominated in France until WWI
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Garnier, The Opera, 1861-1874, Paris, France
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Masonry to Iron
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Labrouste, Sainte-Genevieve Library, 1843-1850, Paris
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Paxton, Crystal Palace, 1850-1851, London, England
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