1. Marina Tsvetaeva (Life, creativity, destiny) 2015

2. Marina Tsvetaeva was born on September 26 (October 8), 1892 in Moscow professorial family. The level of education, training, spiritual saturation poetess in childhood and adolescence has already said that she was born in a highly cultured family, devoted to the interests of science and art. Marina Tsvetaeva was born on September 26 (October 8), 1892 in Moscow professorial family. The level of education, training, spiritual saturation poetess in childhood and adolescence has already said that she was born in a highly cultured family, devoted to the interests of science and art.

3. Her father - Ivan Tsvetayev, (1847-1913), a Russian scientist, a specialist in ancient history, philology and art, corresponding member of the St. Petersburg Academy of Sciences. He founded one of the most unique museums in the capital of the Museum of Fine Arts in Moscow (modern Museum of Fine Arts named after AS Pushkin) and was its first director. Mother - MA Maine came from a Russified Polish- German family, was a talented pianist, a pupil of Anton Rubinstein. She played the piano beautifully, "flooded the children music," as the poet puts it later. As a child, due to her mother's illness (tuberculosis) Tsvetaeva lived a long time in Italy, Switzerland, Germany; interruptions in secondary education were filled in studying in boarding schools in Lausanne and Freiburg. She died still young in 1906, and raising two daughters, Marina and Anastasia, and their half- brother Andrew was a matter of deeply loved their father. He tried to give children a solid education, knowledge of European languages, in every possible way to encourage familiarity with the classics of domestic and foreign literature and art. She died still young in 1906, and raising two daughters, Marina and Anastasia, and their half- brother Andrew was a matter of deeply loved their father. He tried to give children a solid education, knowledge of European languages, in every possible way to encourage familiarity with the classics of domestic and foreign literature and art.

4. Tsvetayevs family lived in a comfortable house of one of the old Moscow lanes; spend the summer in the town of Kaluga Tarusa, and sometimes when traveling abroad. All this was the spiritual atmosphere that is breathable childhood and youth of Marina Tsvetaeva. She soon felt their independence in their tastes and habits, firmly defended the property of their nature and in the future. Tsvetayevs family lived in a comfortable house of one of the old Moscow lanes; spend the summer in the town of Kaluga Tarusa, and sometimes when traveling abroad. All this was the spiritual atmosphere that is breathable childhood and youth of Marina Tsvetaeva. She soon felt their independence in their tastes and habits, firmly defended the property of their nature and in the future. Sixteen years she has carried out an independent trip to Paris, where he attended a course at the Sorbonne Old French literature. Studying the same in Moscow private schools, it is not so much the assimilation of different subjects mandatory program as the breadth of their common cultural interests Sixteen years she has carried out an independent trip to Paris, where he attended a course at the Sorbonne Old French literature. Studying the same in Moscow private schools, it is not so much the assimilation of different subjects mandatory program as the breadth of their common cultural interests

5. Marina started writing poetry at age six, on his sixteenth birthday celebrated the first publication in print. Early literary activity Tsvetaeva associated with the terms of the Moscow Symbolists. She met with Valery Bryusov, had a significant influence on her early poetry, the poet Ellis Kobylinsky, participated in the activities of clubs and studios at the publishing house "Musaget." At least have had a significant impact on her poetic and artistic world of Maximilian Voloshin's house in Crimea (Tsvetaeva stayed in Koktebel in 1911, 1913, 1915, 1917). Marina started writing poetry at age six, on his sixteenth birthday celebrated the first publication in print. Early literary activity Tsvetaeva associated with the terms of the Moscow Symbolists. She met with Valery Bryusov, had a significant influence on her early poetry, the poet Ellis Kobylinsky, participated in the activities of clubs and studios at the publishing house "Musaget." At least have had a significant impact on her poetic and artistic world of Maximilian Voloshin's house in Crimea (Tsvetaeva stayed in Koktebel in 1911, 1913, 1915, 1917).

6. . The press works were appeared in 1910, when she published at his own expense his first book of poems - Evening Album. Ignoring the accepted rules of literary behavior, Tsvetaeva strongly demonstrated their independence and unwillingness to conform to the social role of "writer." Scripture verses she represented not as a professional activity, but as a private matter and direct expression. The press works were appeared in 1910, when she published at his own expense his first book of poems - Evening Album. Ignoring the accepted rules of literary behavior, Tsvetaeva strongly demonstrated their independence and unwillingness to conform to the social role of "writer." Scripture verses she represented not as a professional activity, but as a private matter and direct expression

7. In 1912, Marina Tsvetaeva married Sergei Yakovlevich Efron. In 1918-1922, together with small children it is revolutionary in Moscow, while her husband Sergei Efron fight in the White Army in the Crimea (verses 1917-1921, compassionate White movement, made up cycle "Swan Mill"). But then he was disappointed in the White movement, broke with him and became a student at the University of Prague. In 1912, Marina Tsvetaeva married Sergei Yakovlevich Efron. In 1918-1922, together with small children it is revolutionary in Moscow, while her husband Sergei Efron fight in the White Army in the Crimea (verses 1917-1921, compassionate White movement, made up cycle "Swan Mill"). But then he was disappointed in the White movement, broke with him and became a student at the University of Prague.

8. Prose Prose In contrast to the poems that have not received recognition in the emigre environment (in an innovative poetic technique Tsvetaeva saw an end in itself), the success enjoyed her prose, willingly accept publishers and occupied the main place in her work of the 1930s. "Emigration prose makes me..." - Tsvetaeva wrote. Her prose - "My Pushkin", "Mother and Music", "The House at Old Pimen", "The Story of Sonia", memories of Maximilian Voloshin ("Living the living"), MA Kuzmin ("Otherworldly wind" ), Andrei Bely ("Captive Spirit"), Boris Pasternak, Valery Bryusov and other connecting lines of artistic memoirs, lyrical prose and philosophy, to recreate the spiritual biography of Tsvetaeva. By prose adjacent letters to the poet Boris Pasternak and Rainer Rilke. It's kind of epistolary novel. Also, Marina Tsvetaeva lot of time to translations. In particular, it has been translated into French, fourteen of Pushkin's poems.

9. Especially poetic language Especially poetic language Tsvetaeva's poems force hit the more that their stories were not only traditional for women's poetry, but to some extent even commonplace. But if you had told me about the love he or on behalf of, now the voice of Tsvetaeva's love - as an equal of the equal - she tells the woman. The first album Tsvetaeva found poetry in the form of the sonnet, which involves great skill and ability in fourteen lines to say much. Attention to the sonnet was not only highly poetic culture, but also the capacity of the image, clarity of thought. Early poems Tsvetaeva sounded zhizneutverzhdayusche, Major. But in its first verse was previously unknown in Russian poetry stiffness, sharpness, rare even among men poets. In his poems of Marina Tsvetaeva and have fortitude and strength of the master: Tsvetaeva's poems force hit the more that their stories were not only traditional for women's poetry, but to some extent even commonplace. But if you had told me about the love he or on behalf of, now the voice of Tsvetaeva's love - as an equal of the equal - she tells the woman. The first album Tsvetaeva found poetry in the form of the sonnet, which involves great skill and ability in fourteen lines to say much. Attention to the sonnet was not only highly poetic culture, but also the capacity of the image, clarity of thought. Early poems Tsvetaeva sounded zhizneutverzhdayusche, Major. But in its first verse was previously unknown in Russian poetry stiffness, sharpness, rare even among men poets. In his poems of Marina Tsvetaeva and have fortitude and strength of the master: I know that Venus - the handiwork,? I know that Venus - the handiwork,? Craft - and I know the craft. Craft - and I know the craft.