1. Major Triad (chord) A chord is three or more notes played simultaneously

2. Major Triad (chord) A chord is three or more notes played simultaneously –Two notes played together is not a chord, but it can suggest a chord

3. Major Triad (chord) By definition the first, third, and fifth tones of the major scale are the tones that comprise a Major Chord If we look at a C scale –C D E F G A B C

4. Major Triad (chord) By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord If we look at a C scale –C D E F G A B C C is the First

5. Major Triad (chord) By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord If we look at a C scale –C D E F G A B C C is the First E is the Third

6. Major Triad (chord) By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord If we look at a C scale –C D E F G A B C C is the First E is the Third G is the Fifth

7. Major Triad (chord) Do you remember our scales from the last session? Let’s look at how the C scale in a linear form.

8. Major Triad (chord) A major triad consists of the first tone, the third tone, and the fifth tone of the major scale. (I-iii-V) –That is for a C chord we have the first tone (or root), C; the third tone, E; and the fifth tone G.

9. Major Triad (chord) If we look at a G scale –G A B C D E F G G is the First B is the Third D is the Fifth

10. Major Triad (chord) We can get all the Major chords in a similar way Let’s look at this from last month session on Major Scales

11. Major Triad (chord) We can get all the Major chords in a similar way Let’s look at this from last month session on Major Scales First

12. Major Triad (chord) We can get all the Major chords in a similar way Let’s look at this from last month session on Major Scales First Third

13. Major Triad (chord) We can get all the Major chords in a similar way Let’s look at this from last session on Major Scales First Third Fifth

14. Major Triad (chord) The common chords you most likely will play are:

15. Minor Triad (chord) To make a minor chord you take the major chord and flat the third

16. Dominant Seventh Chord To make a dominant seventh chord (G 7, D 7, E 7, etceteras) you add a flatted (or minor) seventh to the major chord.

17. Dominant Seventh Chord You may wonder why we added a flatted seventh to the major chord. Observe the proper name for the chord is the Dominant Seventh Chord. –That means we took the chord from another scale — the scale for which the seventh chord is the dominant tone. (I.E. the fourth.) G 7 comes for the C scale, D 7 comes from the G scale, etceteras.

18. Other Chords A sixth chord is the I-iii-V-vi A ninth chord is the I-iii-V-ix A six-nine chord is I-iii-V-vi-ix A major seventh chord is I-iii-V-viii o An augmented chord is I-iii-#V A diminished chord is I- b iii- b V- A diminished seventh chord is I- b iii- b V- bb vii

19. Other Chords A minor sixth chord is the I- b iii-V-vi A minor ninth chord is the I- b iii-V-ix A minor six-nine chord is I- b iii-V-vi-ix A minor (dominant) seventh chord is I- b iii-V- b viii o

20. Chord Inversions There are three different ways to play a Major Chord

21. Chord Inversions There are three different ways to play a Major Chord The root position G E C

22. Chord Inversions The first inversion C G E

23. Chord Inversions The second inversion E C G

24. Chord Inversions All three together RootFirst InversionSecond Inversion GCE EGC CEG Inversions apply to all chords not just major chords

25. Chord Doubling There are only three tones in a Major Chord –The root, the third, and the fifth

26. Chord Doubling There are only three tones in a Major Chord –The root, the third, and the fifth If we have fourth tone and one of the tones is repeated at a different octave, that is called doubling

27. Chord Doubling There are only three tones in a Major Chord –The root, the third, and the fifth If we add fourth tone and one of the tones is repeated at a different octave, that is called doubling (within a chord) C G E C

28. Chord Doubling Doubling may be done in any inversions. Any tone in a chord can be doubled If you have five, six, seven, etceteras, tones in a chord and all the tones are either the root, third, or fifth tones, it is doubling. Doubling may be done in any chord not just a major chord.

29. Chords There are some things you should know about a Major Chord

30. Chords There are some things you should know about a Major Chord The harmonic interval between the root and the third is a Major Third

31. Chords There are some things you should know about a Major Chord The harmonic interval between the root and the third is a Major Third The harmonic interval between the root and the Fifth is a Perfect Fifth

32. Major Chord There are some things you should know about a Major Chord The harmonic interval between the root and the third is a Major Third The harmonic interval between the root and the Fifth is a Perfect Fifth The harmonic interval between the third and the fifth is a Minor Third

33. Major Chord Let’s graphically look at a major chord G Minor Third E Perfect Fifth Major Third C

34. Minor Chord There are some things you should know about a Minor Chord

35. Minor Chord There are some things you should know about a Minor Chord The harmonic interval between the root and the third is a Minor Third

36. Mlnor Chord There are some things you should know about a Minor Chord The harmonic interval between the root and the third is a Minor Third The harmonic interval between the root and the Fifth is a Perfect Fifth

37. Minor Chords There are some things you should know about a Minor Chord The harmonic interval between the root and the third is a Minor Third The harmonic interval between the root and the Fifth is a Perfect Fifth The harmonic interval between the third and the fifth is a Major Third

38. Minor Chords Let’s graphically look at a minor chord G Major Third Eb Perfect Fifth Minor Third C

39. Augmented Chords There are some things you should know about a Augmented Chords

40. Augmented Chords There are some things you should know about a Augmented Chords The harmonic interval between the root and the third is a Major Third

41. Augmented Chords There are some things you should know about a Augmented Chords The harmonic interval between the root and the third is a Major Third The harmonic interval between the root and the Fifth is a Augmented Fifth

42. Augmented Chords There are some things you should know about a Augmented Chords The harmonic interval between the root and the third is a Major Third The harmonic interval between the root and the Fifth is a Augmented Fifth The harmonic interval between the third and the fifth is a Major Third

43. Augmented Chords A graphic look at an augmented chord G# Major Third E Augmented Fifth Major Third C

44. Augmented Chords There are only four augmented chords –C E G# (E G# B#) (G# B# D##)  Ab –G B D# (B D# F##) (D# F## A##)  Eb –F A C# (A C# E#) (C# F A)  F –D F# A# (F# A# C##) (A# C## E##)  Bb

45. Diminished Chords There are some things you should know about a Diminished Seventh Chords

46. Diminished Chords There are some things you should know about a Diminished Seventh Chords The harmonic interval between the root and the flatted third is a Minor Third

47. Diminished Chords There are some things you should know about a Diminished Seventh Chords The harmonic interval between the root and the flatted third is a Minor Third The harmonic interval between the flatted third and the flatted fifth is a Minor Third

48. Diminished Chords There are some things you should know about a Diminished Seventh Chords The harmonic interval between the root and the flatted third is a Minor Third The harmonic interval between the flatted third and the flatted fifth is a Minor Third The harmonic interval between the flatted fifth and the double flatted seventh is a Minor Third

49. Diminished Chords A graphic look at a diminished chord Bbb Minor third Gb Minor third Eb Minor third C

50. Diminished Chords There are only three diminished seventh chords –C Eb Gb Bbb (Eb Gb Bbb Dbb) (Gb Bbb Dbb Fbb) (Bbb Dbb Fbb Gb)  A –G Bb Db Fb (Bb Dbb Fbb Abb) (Db Fb Abb Cbb) (Fb Abb Cbb Ebbb)  E –F Ab Cb Eb (Ab Cb Eb Gbb) (Cb Eb Gb Bbb)  B (Eb Gb Bbb Dbb)

51. Diminished Chords Sometimes you may read or hear a reference to a half diminished chord

52. Diminished Chords Sometimes you may read or hear a reference to a half diminished chord A half diminished chord is the same as a diminished chord but there is no seventh tone in the half diminished chord.

53. Diminished Chords Sometimes you may read or hear a reference to a half diminished chord A half diminished chord is the same as a diminished chord but there is no seventh tone in the half diminished chord. Diminished C Eb Gb Bbb Half diminished C Eb Gb

54. Diminished Chords The purpose of a diminished chord is to create tension and unrest. Therefore, I ask why would one use a half diminished chord? A rhetorical question

55. Chords ?

56. Pop Quiz What is the difference between a C 6 chord and an Am 7 ? C 6 = C E G A Am 7 = A C E G

57. Chords End of presentation

58. Major Triad (chord) Likewise for any major chord: