1. In art, it is the use or purpose in an artwork. function

2. The aesthetic value in an artwork. Form (as opposed to function)

3. To create an image from a realistic subject altering the subject to appear less realistic. Ex. Could be, but not limited to: Stretching, pinching, re-scaling, re-distributing proportions, zooming in/out, texturizing, minimizing detail, changing line or shape quality, etc. abstraction

4. A painting or drawing of inanimate objects. Still-life

5. Are the seven basic building blocks of visual art. Design Elements

6. LINE SHAPE COLOR VALUE TEXTURE SPACE FORM Design Elements

7. A mark. Lines have thickness, direction, and movement; they can be interrupted and can show emotion in an artwork. Line

8. When line curves or corners around and crosses over itself it becomes a shape. Shapes are either geometric or organic. Shape

9. Color has three main properties: 1.Hue 2.Value 3.Intensity Color

10. Is the name of a specific color. Hue

11. The lightness or darkness of a hue. Value

12. The quality of a surface: Smooth, rough, bumpy, hairy, etc. Texture

13. The physical quality of a surface that you can actually feel: Plastic is smooth, my cat is furry, a rock wall is bumpy. Actual Texture

14. An illusion of the quality of a surface. Using drawing, painting and layering techniques to create the appearance of texture in an artwork. Implied Texture

15. The amount of depth in both 2D and 3D artworks. Around, above, inside, outside, help describe space Space

16. In 3D artworks it is the quality of the shape. Ex. Cubes, spheres and cones Form

17. Are the guidelines to assist in organizing the elements in a work of art. Design Principles

18. Emphasis Variety Movement Proportion Contrast Unity Balance Design Principles

19. Where an artist draws attention to one or more parts of a design. Emphasis

20. The differences in any element in a work of art give it variety. Ex: A variety of shape sizes or a variety of the same hue Variety

21. The path the viewer’s eye is directed to take by the artist’s choice of elements such as line. Movement

22. The relationships of size in artworks in relation to how they are normally viewed. Ex. A perfectly drawn person in proportion or a perfectly drawn person with an tiny head Proportion – aka – Scale

23. A large difference between elements. Green and Red, dark and light, large and small, thin and thick, bright and dull. Contrast

24. A sense that all of the parts belong together as one piece of artwork. Unity

25. An appearance of evenness in an artwork. There are two kinds: Symmetry & Asymmetry Balance

26. In composition it is an arrangement of elements using order or disorder. Symmetry

27. A composition with identical or similar elements arranged on both the right and left halves of an image. Vertical symmetry

28. A composition with identical or similar elements arranged on both the top and bottom halves of an image. Horizontal symmetry

29. A composition with a center point from which the arrangement of elements radiate around in a circular format. Imagine: Cut a piece of “pie” out of an empty circle. Create a design on the piece of pie. Repeat the pie piece to finish off the “pie.” Radial symmetry

31. A composition with a heavy and light amount of elements. Asymmetry uses disorder to create balance. Asymmetry

32. The technique of marking over sketch lines to create a final and permanent drawing. The medium can be: pen, marker, burnished colored pencil, etc. Inking

33. The differences between elements in a single artwork create variety. Variety

34. Creating value in an artwork that alludes to dimension, placement, texture, etc. Shading

35. A smooth and gradual change in value. Color to color, light to dark, busy to sparse, etc. Gradation

36. A coloring agent bonded with wax, oil, chalk, or water based medium. Pigment

37. The type of material used to create a piece of artwork. Medium

38. GET OUT: Vocabulary Inventory DO NOT Sign out a laptop Ticket Question #4: Please describe a complimentary color scheme.

39. Line or shape that has a rigid or mathematically correct path and is not free flowing. Ex. A Bookcase, a zigzag line, or a lampshade. Geometric

40. Line or shape that has a natural or imperfect path rather than a rigid or geometric path. Ex. A flower petal, squiggly line, or a curtain. Organic

41. A storage place for artwork that can also be used as a mode of transportation for artwork. Portfolio

42. A place to compile notes, sketches, preliminary ideas etc. Sketchbook

43. The execution of detail, organization and care that can be visually evaluated in an artwork. Craftsmanship

44. Lines have thickness, direction, and movement; they can be interrupted and can show emotion in an artwork. Line

45. When line curves or corners around and crosses over itself it becomes a shape. Shapes are either geometric or organic. Shape

46. A critical review of artwork. Critique

47. A Formal location to showcase a group of artwork by one artist or a selection artists. Gallery

48. A 3D artwork from which all elements project from a flat surface. relief

49. A 3D artwork that can be viewed from all sides In-the-round

50. The art and science of color interaction and effects. Color Theory

51. Colors from which all other colors can be made from. Subtractive Primaries are: Red, Blue and Yellow. Primary

52. Colors made from mixing two primaries together. Subtractive Secondary colors are: Violet, Green, and Orange. Secondary

53. Colors made from combining one primary and the adjacent secondary. Subtractive Tertiary colors are: Red Violet, Blue Violet, Yellow Green, Blue Green, Red Orange, and Yellow Orange. Tertiary

54. A color that is neither warm nor cool and is a result of two compliments being mixed. Ex: Light brown, Navy green, French grey, Brown Neutral

55. Using a specific combination of colors based on color theory in a piece of artwork. Color Scheme

56. Colors that evoke a warm feeling, emotion or mood. Occupy ½ of the color wheel. Ex. Red Violet, Red, Red Orange, and Yellow Orange. Warm Colors

57. Colors that evoke a cool or cold, feeling, emotion or mood. Occupies ½ of the color wheel. ex. Blue Violet, Yellow Green, Blue Green, Navy Green Cool Colors

58. A color scheme using hues opposite each other on the color wheel. These colors will vibrate visually. Ex: Red & Green Red-orange & Blue-green Complimentary

59. A color scheme using a hue and the hue(s) next to its compliment. Ex: Red & Blue-green and/or Yellow- green or Red-orange & Blue and/or Green Split Complimentary

60. A color scheme that uses only one hue. From that hue variations are made: tints, shades, tones, etc. Ex. Red, Pink, Plum, magenta, Light Red Orange, Burgundy. Monochromatic

61. A color scheme utilizing colors that share a common primary color, located next to each other on the color wheel. Ex: Aqua, Light Blue, Light Red Violet, Prussian Blue Analogous

62. A color scheme using an equilateral Triangle to locate three hues equidistant from each other on the color wheel. Ex: Violet, Green, Orange Or Blue-green, Yellow-orange, Red-violet Triadic

63. Adding white to a hue to create a lighter value of that hue. Tint

64. Adding Black to a hue to create a darker value of that hue. Shade