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(writing & reading music)
MUSICAL NOTATION (writing & reading music) RHYTHMIC NOTATION & MELODIC NOTATION
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RHYTHM Beat or Pulse=where is it felt? Examples?
Measured in BPM (beats per minute) Speed referred to as TEMPO (how fast how slow)
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Pop/Rock/Jazz/Hip Hop Classical / Orchestral
TEMPOS Pop/Rock/Jazz/Hip Hop usually steady Classical / Orchestral tempos can vary inside the piece
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Italian tempo markings on p. 32
(know at least a couple of these!) Largo – very slow, broad Grave – very slow, solemn Adagio – slow Andante – moderately slow, walking pace Moderato – moderate Allegretto – moderately fast Allegro – fast Vivace – lively Presto – very fast Prestissimo – as fast as possible
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Meter ( 2 ,3, 4, 6,7, ect..) (duple, triple, quadruple, sextuple, ect…) Dynamic accent = to emphasize a note in the rhythm Syncopation = when the accented note is between beats or where you wouldn’t normally expect it
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Rhythm notation Time Signatures ¾ 4/4 6/8 pulse – 3 or 4 (the 4/4 measure most common)
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Rhythm notation stems and flags whole notes thru 16th notes equal too how many 16ths in 4/4 measure
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Rhythm notation dotted notes ( 1 ½ value) rest and dotted rest ties / triplets (3 over 2)
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MELODIC NOTATION The KEYBOARD -keyboard has most of the available notes or range of all traditional instruments -keyboard is used as basis and most musicians also play a little piano as well staff related to notes on keyboard - Ć ƒ
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The KEYBOARD CHROMATIC SCALE = all 12 tones from octave to octave Whole steps = 2 movements in the chromatic scale Half steps = 1 movement in the chromatic scale - Ć ƒ
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The Grand Staff MELODIC NOTATION TREBLE & BASS CLEFS
Every Good Boy Does Fine /FACE – Treble Good Boys Do Fine Always / All Cows Eat Grass -Bass
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SCALES & KEYS
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Single Note MELODY LINE
CLEF (Treble or Bass) Key Signature Time Signature NOTES and ACCIDENTALS
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CHORDS CHORD SYMBOLS
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PIANO MUSIC Melody in the right hand – Single notes Harmony in the left hand - Chords
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THE SCORE Individual parts The conductors Score Lead Sheets
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THE LEAD SHEET
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HOMEWORK ASSIGNMENT 2 Notation identification
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