1. CU2003C Week 4 Storyboarding- Video Production

2. Why? Some people are sceptical of the idea of creating storyboards. They can be time-consuming. If the product development time is short then who has time to produce a shot-by-shot plan of how the end product should look and sound?

3. Why? Dealing with large multidisciplinary production teams who may be split between different sites, then careful planning is essential. Storyboarding plays an important role by providing everyone, including the client, with a common point of reference, to verify and validate structural and content elements.

4. Why? The same is true in multimedia production Perhaps even more so since teams in this area are still in the process of developing a common cross-disciplinary language. http://ourworld.compuserve.com/homepages/adrian_mallon_multimedia/story.htm

5. http://hometown.aol.com/greghigh6/storyboard_design.html

9. What? A storyboard is an expression of everything that will be contained in the production. What pictures (still and moving) will be seen, when and for how long, what audio and text will accompany these images.

10. What? Camera; Shots, Angles, Movements, Lenses

11. What? Camera; Shots

12. What? Camera; Shots Establishing Shot

13. What? Camera; Shots Extreme Close Up (ECU)

14. What? Camera; Shots, Over the Shoulder (OTS)

15. What? Camera; Shots, Point of View (POV)

16. What? Camera; Shots, Wide, Medium, Close up

17. What? Camera; Angles

18. What? Camera; Angles Birds eye view/Worms eye view

19. What? Camera; Angles Dutch Angle

20. What? Camera; Angles Dutch Angle

21. What? Camera; Angles Eye-Level

22. What? Camera; Movements

23. What? Camera; Movements Tilting

24. What? Camera; Movements Panning

25. What? Camera; Movements Panning

26. What? Camera; Movements Panning

27. What? Camera; Movements Panning

28. What? Camera; Movements Panning

29. What? Camera; Movements Panning

30. What? Camera; Movements Panning

31. What? Camera; Movements Panning

32. What? Camera; Movements Panning

33. What? Camera; Movements Panning

34. What? Camera; Movements Panning

35. What? Camera; Movements Panning

36. What? Camera; Movements Panning

37. What? Camera; Movements Panning

38. What? Camera; Movements Panning

39. What? Camera; Movements Panning

40. What? Camera; Movements Panning

41. What? Camera; Movements Panning

42. What? Camera; Movements Panning

43. What? Camera; Movements Panning

44. What? Camera; Movements Panning

45. What? Camera; Movements Panning

46. What? Camera; Movements Dolly, Track

47. What? Camera; Movements Dolly, Track

48. What? Camera; Movements Dolly, Track

49. What? Camera; Movements Dolly, Track

50. What? Camera; Movements Dolly, Track

51. What? Camera; Movements Dolly, Track

52. What? Camera; Movements Dolly, Track

53. What? Camera; Movements Dolly, Track

54. What? Camera; Movements Dolly, Track

55. What? Camera; Movements Dolly, Track

56. What? Camera; Movements Dolly, Track

57. What? Camera; Movements

58. What? Camera; Movements

59. What? Camera; Movements Zooming

60. What? Camera; Lenses Field of view Perspective

61. What? Camera; Lenses Wide

62. What? Camera; Lenses Wide

63. What? Camera; Lenses Telephoto

64. What? Camera; Lenses ‘Normal’

65. What? Audio; Soundtrack, Foley, Dialogue

66. How? Visual Design Rendering Style

67. How? Visual Design Mise en scene

68. How? Visual Design Lighting

69. How? Visual Design Composition

70. Looking at Comics You can learn a lot about storyboarding by analysing comics frame-by-frame. Look at how they use: Lighting Framing Viewpoint to tell their stories.

71. Looking at Comics You can learn a lot about storyboarding by analysing comics frame-by-frame.

72. Looking at Comics You can learn a lot about storyboarding by analysing comics frame-by-frame.