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The Academy and the French Revolution. William Bell Scott, Iron and Coal on Tyneside in the Nineteenth Century, 1856-1861 Monet, Gare St. Lazare, 1877.

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Presentation on theme: "The Academy and the French Revolution. William Bell Scott, Iron and Coal on Tyneside in the Nineteenth Century, 1856-1861 Monet, Gare St. Lazare, 1877."— Presentation transcript:

1 The Academy and the French Revolution

2 William Bell Scott, Iron and Coal on Tyneside in the Nineteenth Century, 1856-1861 Monet, Gare St. Lazare, 1877 Modernity

3 Daumier, Nadar raising photography to the level of art, 1862

4 Jacques-Louis David, Oath of the Tennis Court, 1791

5 The Academy French Academy, established 1648

6 Raphael, The School of Athens, c. 1510-1512

7 Charles Joseph Natoire, Life Drawing Class at the French Academy, 1746

8 Johann Zoffany, The Academicians of the Royal Academy, 1771-2 Female members of the Royal Academy in London: Angelica Kauffmann, Mary Moser Term: patriarchy

9 Hierarchy of Genres 1)History Painting 2)Portraiture 3)Genre 4)Landscape 5)Still Life

10 Jacques-Louis David, Oath of the Horatii, 1784-5

11 The Academy in Crisis Terms: French Revolution (1789), Estates General, Third Estate

12 Jacques-Louis David, Self-Portrait, 1794

13 David, Oath of the Tennis Court, 1791 Term: Versailles (a royal palace)

14 David, Sketch for the Oath of the Tennis Court, 1791

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16 Francisco Goya, The Second of May, 1808, painted in 1814 Francisco Goya, The Third of May, 1808, painted in 1814 Terms: Ferdinand VII (Spanish king); Napoleon; guerilla war in Spain 1808-1814

17 Goya, Crucifixion, 1780

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19 David, Napoleon Crossing the Alps at Mount St. Bernard, 1800

20 Goya, Disasters of War 37: This is Worse, c. 1810-1820 Goya, Disasters of War 39: Great Deeds – Against the Dead!, c. 1810-1820

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22 Goya, Disasters of War 36: Nor This, ca. 1810-20


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