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Marshall Cohen’s “Primitivism, Modernism and Dance Theory” and Heinrich von Kleist’s “Puppet Theatre” Simone Maduro & Micah McMillan Edited by: Dr. Picart and Donna Gallagher 17 May 2004
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Aims To discuss Marshall Cohen’s views on popular theories of primitivism and modernism To discuss von Kleist’s presentation of marionettes and dance
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Key Terms Primitivism— Modernism— Gesamtkunstwerk—
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Summary of Cohen… Primitivism (Langer) Cohen’s take on this theory
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Cohen, cont. Modernism (Levin and Greenberg) Cohen’s take on this theory
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Discussion questions: What does Cohen say about the existing theories regarding dance? Why does he say this?
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Summary of von Kleist Puppets as dancers Puppeteer as choreographer Value of emotionless entities in dance/art
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Discussion questions: Does von Kleist suggest that ignorance is bliss? What is the alternative to ignorance, in relation to attaining “grace” in movement? Would Cohen classify von Kleist as a primitivist, modernist, or neither? Why?
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Works Referenced Cohen, Marshall. “Primitivism, Modernism and Dance Theory,” in What is Dance? Roger Copeland and Marshall Copeland, Eds. Oxford University Press, NY. 1983. 161-177. von Kleist, Heinrich. “Puppet Theatre,” in What is Dance? Roger Copeland and Marshall Copeland, Eds. Oxford University Press, NY. 1983. http://babelfish.altavista.com/babelfish/tr http://dictionary.reference.com/
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