1. © 2011 Delmar, Cengage Learning Chapter 12 Using Clipping Masks, Paths, & Shapes

2. Chapter Lessons Use a clipping group as a mask Use pen tools to create and modify a path Work with shapes Convert paths and selections © 2011 Delmar Cengage Learning

3. Shape Types Shape –Vector object –Keeps crisp appearance when resized, edited, moved, reshaped, or copied Rasterized Shape –Converted into bitmapped object that cannot be moved or copied –Uses smaller file size © 2011 Delmar Cengage Learning

4. Working with Shapes Add a pre-designed shape: –Ellipse –Circle –Rectangle Create a unique shape using a pen tool © 2011 Delmar Cengage Learning

5. Defining Clipping Masks Create an effect in which the bottom layer acts as a mask for all other layers in the group © 2011 Delmar Cengage Learning

6. Defining Paths One or more straight or curved line segments connected by anchor points Use to turn an area defined within an object into a separate individual object Paths can be either open or closed © 2011 Delmar Cengage Learning

7. Open Paths Two distinct endpoints: anchor points at each end of the open path An example is an individual line © 2011 Delmar Cengage Learning

8. Closed Paths One continuous path without endpoints An example is a circle © 2011 Delmar Cengage Learning

9. Clipping Path Use a clipping path to: –Extract a Photoshop object from within a layer –Place it in another program such as Adobe Illustrator –Retain its transparent background © 2011 Delmar Cengage Learning

10. Creating Paths Use the Pen tool or the Freeform Pen tool Draw a path by placing anchor points along the edge of another image or wherever required to draw a specific shape Paths are stored on the Paths panel © 2011 Delmar Cengage Learning

11. Use a Clipping Group as a Mask Isolate an area and make images outside the area transparent © 2011 Delmar Cengage Learning Image of the roses is masked by text

12. Clipping Mask Process Rasterize the type or shape layer: –Change the vector graphic into a bitmapped object made up of colored pixels Use a Transform command to reshape layer contents Create the clipping mask © 2011 Delmar Cengage Learning

13. Transform Commands ScaleChanges the image size RotateAllows rotation 360° SkewStretches an image horizontally or vertically; cannot exceed image boundary DistortStretches an image horizontally or vertically; can exceed image boundary PerspectiveChanges opposite sides of an image equally © 2011 Delmar Cengage Learning

14. Transform Commands Rotate 180Rotate image 180° clockwise Rotate 90 CWRotate image 90° clockwise Rotate 90 CCWRotate image 90° counter- clockwise Flip HorizontalProduce a mirror image Flip VerticalProduce an upside-down image © 2011 Delmar Cengage Learning

15. Transform Examples © 2011 Delmar Cengage Learning

16. Using Transform Commands After selecting a transform command, a bounding box is displayed around the object –Contains handles used to modify the selection Reference point is located in the center of the bounding box –Point around which transform command takes place © 2011 Delmar Cengage Learning

17. Use Pen Tools to Create & Modify a Path Tools used to create a path: –Pen tool –Freeform Pen tool –Magnetic Pen tool © 2011 Delmar Cengage Learning

18. Pen Tools to Create a Path Pen toolCreates curved or straight line segments Freeform Pen tool Creates unique shapes Magnetic Pen tool Lets the tool find an object’s edge © 2011 Delmar Cengage Learning

19. Tools Used to Modify a Path Add Anchor Point tool Delete Anchor Point tool Convert Point tool © 2011 Delmar Cengage Learning

20. Pen Tools to Modify a Path Add Anchor Point tool Adds an anchor point to an existing path or shape Delete Anchor Point tool Removes an anchor points from an existing path or shape Convert Point tool Converts a smooth point to a corner point and a corner point to a smooth point © 2011 Delmar Cengage Learning

21. Creating a Path Paths are saved with the image they were created in and stored in the Paths panel Create a path based on an existing object OR Create a shape with a pen tool © 2011 Delmar Cengage Learning

22. Creating a Closed Path Position the pointer on top of the first anchor point A small circle appears next to the pointer (indicates that the path will be closed when the pointer is clicked) © 2011 Delmar Cengage Learning

23. Paths Example The active path is called Starfish 1 and displays an outline of the starfish © 2011 Delmar Cengage Learning Starfish 1 Path

24. Modifying a Path Establish a path and then embellish it and convert it into a selection Examples: –Add more width or more curves to an existing path –Fill a path with the foreground color © 2011 Delmar Cengage Learning

25. Selecting a Path Use the Direct Selection tool to select a path Manipulate individual anchor points without affecting the entire path © 2011 Delmar Cengage Learning

26. Moving an Anchor Point Force the two line segments on either side of the anchor point to shrink or grow by moving the anchor point Move individual line segments to new locations Shorten or elongate direction handles to adjust the amount of curve or length of a line segment © 2011 Delmar Cengage Learning

27. Adding and Deleting Anchor Points Split an existing line segment into two to produce more sides to an object Remove anchor points to straighten a bumpy path © 2011 Delmar Cengage Learning

28. Converting Anchor Points Convert corner points into smooth points: –Gives a drawing a softer appearance Convert smooth points into corner points: –Gives a drawing a sharper appearance © 2011 Delmar Cengage Learning

29. Work with Shapes Choose one of six shape tools to create a shape Three buttons appear on the left side of the options bar: –Shape layers button –Paths button –Fill pixels button © 2011 Delmar Cengage Learning

30. Vector Data Shapes and paths contain vector data: –They do not lose their crisp appearance when resized or reshaped © 2011 Delmar Cengage Learning

31. Modifying a Shape Change the blending mode to alter how the shape affects existing pixels in the image Change the opacity setting to make the shape more transparent or opaque Use the anti-aliasing option to blend pixels on the shape’s edge with surrounding pixels © 2011 Delmar Cengage Learning

32. Creating a Rasterized Shape Select or create a non-vector-based layer Select the shape required Click the Fill pixels button on the options bar © 2011 Delmar Cengage Learning

33. Embellishing Shapes Styles and filters can be applied to shapes © 2011 Delmar Cengage Learning Bevel and Emboss style applied to the top layer

34. Shapes Added to an Image © 2011 Delmar Cengage Learning New Rectangle Shape New Custom Shape with Style applied

35. Creating 3D Shapes Use Advanced 3D panel Click 3D menu, point to New Shape from Layer, then click Shape © 2011 Delmar Cengage Learning

36. Convert Paths and Selections Convert a selection into a path to use: –Clipping paths –Other path features Create the selection, then click the Make work path from selection button on the Paths panel © 2011 Delmar Cengage Learning

37. Select a path on the Paths panel Click the Load path as selection button on the Paths panel © 2011 Delmar Cengage Learning Convert Paths and Selections