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Published byAbner Chase Modified over 9 years ago
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1. Pre-production 2. Production 3. Post-production
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Development: buying the rights Script writing: turn into workable text Sell or keep project Hire key personnel: director, business manager, key talent, designers/tech people Organization: coordinate use of locations & logistics Script development: storyboarding/revising dialogue
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Crew and talent arrive on set each day ready to shoot Dailies: director/team review footage that was shot each day
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Editing: order of shots & transitions; what is included – telling the story Adding sound Looping: re-recording sound over video Score: the film’s music Foley artist: sound fx artist
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Trailers: coming attractions Test screenings: pre-release screenings Test audiences: asked for reactions before film’s release so last-minute changes can be made Previews: arranged for film critics & industry execs before film’s release
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Cinematography: the Art of filmmaking – the way the film is shot; the creative choices that were made related to the picture Frame: an individual picture or exposure Shot: the basic unit of film; any piece of unedited film Scene: group of interrelated shots taking place in the same location Sequence: group of interrelated scenes that form a natural unit in the story
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Distance Angle Movement
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Long shot (establishing shot): shows main visual subject in entire surroundings Medium shot: shows main subject in immediate surroundings Close-up: shows only the main subject (an extreme close-up is a form of close-up)
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Low angle: camera below subject looking up; conveys sense of authority/strength Extreme low angle: camera directly below subject Flat angle (eye level): camera at same level as subject; neutral shot High angle: camera higher than subject; used to convey sense of defeat/ weakness Extreme high angle: camera directly above subject
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Pan: camera remains in place but moves side to side on horizontal axis Track/truck: entire camera moves to left or right Zoom: camera remains in place: lens manipulated to create effect of moving toward or away from subject Dolly: camera itself moves toward or away from subject; leaves more of the background visible than a zoom does
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Tilt: camera remains in place but pivots up and down on vertical axis Boom: a shot in which the camera, usually mounted on a crane or hydraulic arm, moves up or down. Booms can also move sideways while moving verically Subjective: a shot in which the camera sees; the camera is meant to take the place of the character’s eyes; also known as a point of view shot Composition: the inclusion/arrangement of objects in a shot
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