1. Madelon Vriesendorp, Ecstasy of Mrs. Caligary (1974).

2. Madelon Vriesendorp, Flagrant Delit, Version II, (1975).

3. Madelon Vriesendorp, Rem Koolhaas and Zoe Zenghelis, The City of the Captive Glove (Undated)

4. Madelon Vriesendorp, The Birthday Party AKA 10 Ans Après l'Amour, (1984).

5. Madelon Vriesendorp, Metaphorical sketches for “Norman Foster Swiss Re Tower, London, 1997-2004: A swelling curve, smaller at the base and sharper at the top, again recalls the refinement like entasis. Atria twist up the outside pulling the air up six floors, naturally ventilating the skycourts, one of several ecological goals. Metaphorical sketches showing a mixture of paranoid and pleasant associations that often give the iconology more bite.” Charles Jencks, The Story of Post-Modernism, Five Decades of the Ironic, Iconic and Critical in Architecture, (London: John Wiley & Sons, 2011), 234.