1. GOTHIC ARCHITECTURE
Revision

2. Introduction Gothic Art is the expression of the new city life
It is going to have to different areas:
Civilian
Religious

3. Introduction The term was coined with a deceptive sense
It is deter by a series of elements:
Economic and social transformations of the late Middle Ages
Consolidation of the new monarchies and modern states
A new spirituality, with the Cister reform

4. Introduction The style had an evolution: 12th century: origin
13th century: plenitude
14th century until mid 15th century: international
Second half of the 15th century: flamboyant

5. Architectonical elements
Lancet arches
Tudor Ogee Three-centered

6. Architectonical elements
Windows
Gargoiles
Gablet
Capital

7. Cathedral Cathedrals are the most representative building
They are full of accessional spirit
The technical innovations made possible the construction of these buildings, something ethereal.

8. Cathedral
Plans continue being of Latin cross but it is more difficult to distinguish because the number of naves increases in the transept
They have three or five nave, normally five after the crossing
They have ambulatory
There are radial chapel
The cover is of ribbed vaults
There are two towers in the façade.

9. Cathedral
The plans can be:
Basilical
Saloon

10. Cathedral
In the elevation it can be seen the aisles, over them the triforium and finally, the clerestory.

11. Cathedral The inside is full of light thanks to the numerous windows
The cathedral has three levels: low, gallery and clerestory
The walls are open, allowing a lot of light into the church, with different levels of intensity (more light in the highest parts because light comes directly).
Windows can be open because there are new supports that are not glued to the wall.

12. Cathedral The cover evolved from the barrel vault
The lancet arch permits higher structures
The most common covers are:
Rib vault
Crossing vault
All of them stand on slim and delicate pillars
The nerves cross and there is a decorated boss in the intersection

13. Cathedral Supports are essential for the new buildings
The most common in the outside is the flying buttress
On top of them pinnacles appear in order to transmit the strength to the floor
Pinnacle
Flying buttress

14. Cathedral
Thanks to the use of flying buttress, the wall is liberated and may be open with windows
Windows tend to be covered by stained glass

15. Cathedral Crossing Spires Transept Ambulatory Clerestory Tribune
Gargoiles
Apse
Radial chapels
Rose window
Nave
Lateral façade
Façade
Flying butresses

16. Civilian Architecture
Its development is consequence of
trade renaissance
development of cities government
Main buildings are
Palaces
Town halls
Markets

17. Civilian Architecture
Town halls were the residence of the city’s government
There are two kind of models:
Northern (Netherlands) : very decorated, with ogee and lancet arches
Southern (Italian): closer, sometimes as a fortress
Leuven
Siena

18. Civilian Architecture
Palaces were the residences of the nobility
They lose their defensive character

19. Civilian Architecture
Markets were the places for keeping the products and to sell them
They have big rooms with this purpose
The spaces are clear, with high and stylised columns

20. French Gothic
The distinctive characteristic of French cathedrals, and those in Germany and Belgium that were strongly influenced by them, is their height and their impression of verticality.
They are compact, with slight or no projection of the transepts and subsidiary chapels.
The west fronts have three portals surmounted by a rose window, and two large towers.
The east end is polygonal with ambulatory and sometimes a chevette of radiating chapels.
In the south of France, many of the major churches are without transepts and some are without aisles

21. British Gothic
The distinctive characteristic of English cathedrals is their extreme length and their internal emphasis upon the horizontal.
It is not unusual for every part of the building to have been built in a different century and in a different style, with no attempt at creating a stylistic unity.
English cathedrals sprawl across their sites, with double transepts projecting strongly and Lady Chapels tacked on at a later date.
In the west front the doors are not significant
The West window is very large and never a rose, which are reserved for the transept gables.
The west front may have two towers or none.
There is nearly always a tower at the crossing and it may be very large and surmounted by a spire.
The distinctive English east end is square.

22. Italian Gothic
It uses polychrome decoration, both externally as marble veneer on the brick facade and also internally where the arches are often made of alternating black and white segments.
The plan is usually regular and symmetrical and have few and widely spaced columns.
The proportions are generally mathematically simple, based on the square, the arches are almost always equilateral.
It may include mosaics in the lunettes over the doors.
The facades have projecting open porches and occular or wheel windows rather than roses, and do not usually have a tower.
The crossing is usually surmounted by a dome.
There is often a free-standing tower and baptistry.
The windows are not as large as in northern Europe and, although stained glass windows are used, the decoration is fresco or mosaic.

23. German Gothic It is characterised by huge towers and spires.
The west front generally follows the French formula, but the towers are taller, and if complete, are surmounted by enormous openwork spires.
The eastern end follows the French form.
The distinctive character of the interior of German Gothic cathedrals is their breadth and openness.
Cathedrals tend not to have strongly projecting transepts.
There are also many hallenkirke without clerestorey windows.

24. Spanish Gothic Spanish Gothic cathedrals are of spacial complexity.
They are comparatively short and wide, and are often completely surrounded by chapels.
Spanish Cathedrals are stylistically diverse.
Influences on both decoration and form are Islamic architecture, and towards the end of the period, Renaissance details combined with the Gothic in a distinctive manner.
The West front resembles a French west front,
There are spires of German style.
Few pinnacles.
There are often towers and domes of a great variety of shapes and structural invention rising above the roof.