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Published byJennifer Harrell Modified over 9 years ago
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UNIT 3: BAROQUE 1600-1750
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OPERA “Opera” literally means “work”; originally “opera drammatica in musica” = a dramatic work set to music Meant to convey heightened emotions by using music. As a combination of music, poetry, drama, scenic design, and dance, some have called it the “supreme expression of the human spirit.”
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PEOPLE AND WORKS TO KNOW George Frideric Handel (1685-1759) Giulio Cesare (1724): Story of Julius Caesar and Cleopatra "V'adoro, pupille" – aria of Cleopatra confessing her love Claudio Monteverdi (1567-1643) L’Orfeo (1607): Story or Orpheus and Euridice 41 instruments, distinct groups of instruments used to depict particular scenes and characters. harpsichords and recorders =nymphs and shepherds; heavy brass illustrates =underworld
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CHARACTERISTICS Vocal virtuosity Ornamentations (and/or embellishment) Basso Continuo used as harmonic accompaniment Use of many instruments Many of the same instrument playing one part Symbolic use of instruments (represent characters, etc) Started for only the rich, spread to general public (From Mantua to Venice; from 200 aristocrats to 1,500 citizens; all during Monteverdi’s life!)
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MATCHING TERMS ORIGINAL OPERA ---MODERN Toccata Libretto Recitative Arioso Aria Featured Solo Monologue Script Opening/Theme Song A Mixture; “montage”
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