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Good Graphics: Line. Right side: Nonverbal, spatial, creative Intelligence Left side: Logic, verbal-linguistic communication, math Right Brain VS Left.

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Presentation on theme: "Good Graphics: Line. Right side: Nonverbal, spatial, creative Intelligence Left side: Logic, verbal-linguistic communication, math Right Brain VS Left."— Presentation transcript:

1 Good Graphics: Line

2 Right side: Nonverbal, spatial, creative Intelligence Left side: Logic, verbal-linguistic communication, math Right Brain VS Left Brain

3 Learn your left brain messages and dismiss them. When the right brain takes over (about 20 minutes), you’ll be able to see & work more creatively. Listen to the Left Brain

4 CHISEL THE POINT FUZZY LINE HIT-GO- HIT PROFESSIONAL GAP PROFESSIONAL DOT OVERLAP CORNER Good Graphics: the basics

5 Freehand Line

6 Repeat Line REPEA T LINE

7 Variable Line

8 SAME LINE Same Line

9 Punch Line

10 Focal Point

11 45 DEGREE STROKE 45 Degree Stroke

12 Gradual Value Change

13 OVER EDGE Over Edge

14 Don’t Touch Edges

15 DARK/LIGHT Dark/Light

16 Mass/Void

17 VALUE CONNECT Value Connect

18 Asymmetrical

19 Good Graphics in Color

20 ASSIGNMENT #8 Using the basic drawing below, illustrate the following principles of good graphics: Freehand Line Repeat Line Variable Line Same Line Punch Line Focal Point 45 Degree Stroke Use 8 sheets of 8½ x 11 bond—2 drawings per page—each half-page will contain a drawing applying the specified Principle of Good Graphics (Lin, pgs. 6-10) Letter the name of the principle illustrated below the illustration. Be consistent in format. Employ good composition. Be creative. Good Graphics Practice Gradual Value Change Over Edge Don’t Touch Edges Dark/Light Mass/Void Value Connect Asymmetrical Practice chiseling your point, fuzzy line, hit-go-hit, professional gap, professional dot and overlap corner as well

21 SOURCES Lin, Mike W. Drawing with Confidence: A Step-By-Step Guide, Van Nostrand Reinhold, 1993.


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