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Published byWendy Walker Modified over 8 years ago
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HELLENISTIC ART c. 323 B.C. – 146 B.C.
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ALEXANDER THE GREAT CONFONTS DARIUS III AT THE BATTLE OF ISSOS, FROM POMPEII, DETAIL (ROMAN MOSAIC AFTER A GREEK PAINTING OF C. 310 B.C. )
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CLEOPATRA AND MARK ANTONY, LAWRENCE ALMA- TADEMA (1836 – 1912) PAINTING
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THEATER, EPIDAUROS (EARLY 3 RD CENTURY B.C. AND LATER) Aeschylus, Sophocles, Euripides
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GALLIC CHIEFTAIN KILLING HIS WIFE AND HIMSELF (ROMAN COPY AFTER THE ORIGINAL BRONZE OF C. 220 B.C.) MARBLE
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DYING GALLIC TRUMPETER, EPIGONOS (ROMAN COPY AFTER THE ORIGINAL BRONZE OF C. 220 B.C.) MARBLE
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(RECONSTRUCTED ) WEST FRONT OF THE ALTAR FROM PERGAMON (C. 166-156 B.C.) MARBLE
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ATHENA ATTACKING THE GIANTS (DETAIL OF THE FRIEZE FROM THE ALTAR FROM PERGAMON) MARBLE
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LAOCOÖN AND HIS SONS (PROBABLY THE ORIGINAL OF THE 1 ST CENTURY OR A ROMAN COPY OF THE 1 ST CENTURY) MARBLE
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NIKE (VICTORY) OF SAMOTHRACE (FROM THE SANCTUARY OF THE GREAT GODS, SAMOTHRACE, C. 190 B.C.) MARBLE
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VEILED AND MASKED DANCER (LATE 3 RD OR 2 ND CENTURY B.C.) BRONZE
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APHRODITE OF MELOS (“VENUS DE MILO,” C. 150 B.C.) MARBLE
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HELLENISTIC RULER (C. 150-140 B.C.) BRONZE “No gifted young man, upon seeing the Zeus of Pheidias at Olympia, ever wanted to be Pheidias nor, upon seeing the Hera at Argos, ever wanted to be Polykleitos… For it does not necessarily follow that, if a work is delightful because of its gracefulness, the man who made it is worthy of our serious regard” - Plutarch
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AUGUSTUS OF PRIMA PORTA, (EARLY 1ST CENTURY A.D.) PAINTED CARRARA MARBLE
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