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Published byErik Fitzgerald Modified over 8 years ago
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Dutch Baroque The Dutch School
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Dutch Baroque 1610-1670 Dutch Reform churches didn’t need art The usual patrons of the art – nobles and the Church were absent ** This led to a “democratization” of art in subject matter and ownership Still life Landscape Portraits Family Scenes
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Characteristics Early Used dramatic light/dark contrasts Design seemed to burst the frame Groups of figures Based on physical action Vigorous, melodramatic tone Highly finished, detailed technique Late Used golden-brown tones, subtle shading Static, brooding atmosphere Scenes simplified with a single subject Implied psychological reaction Quiet, solemn mood Painted with broad, thick strokes
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Baroque Art Religious – In Catholic countries Dramatic Emphasis on light and shadow Monumental – the aristocracy, battle scenes
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Rembrandt “The Night Watch, 1642
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Rembrandt – “The Syndics of the Drapers Guild” - 1662
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Ruisdael, “Windmill at Wijk-bij-Duurst-ede 1665
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Vermeer – The Girl with the Pearl Earing
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Vermeer – The Geographer, 1668
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Caravaggio, The Conversion of St. Paul, c. 1601 (Italian)
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Bernini, “The Ecstasy of St. Theresa,” 1645-52
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Velazquez “Las Meninas,” 1656
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William Hogarth “The Breakfast Scene” (English) 1745
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French Rococo Reflected the “frivolous” existence of the aristocracy(nobility) Playful, superficial, energetic, light, graceful, delicate White, silver, gold, light pinks, blues and greens Gilded woodwork, painted panels Enormous wall mirrors
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Jean- Honoré Fragonard “The Swing”
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Francois Boucher “Allegory of Painting”
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Antoine Watteau The Song of Love
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