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Published byPierce Fleming Modified over 9 years ago
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project i: research PERFORMANCE ART --physicality, confrontation, temporality improv, chance --break down space between artist & audience FLUXUS --“flow,” intermedia, humor --bottom-up CABARET VOLTAIRE—ZURICH space where dadaists held performances, including “spoken word” vito acconci, 1969 mia, 2010 hugo ball, 1916
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vanessa beecroft, 1998 project i: research
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MATTHEW BARNEY intuitive imagery character cinematic/mise-en-scene LUIS GISPERT merges cultures hip-hop as new “baroque” DIE ANTWOORD cultural synthesis art is life project i: research
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KALUP LINZY, “IGNORANT OIL,” 2009 character, gender live performance JAY-Z “ON TO THE NEXT ONE,” 2009 abstract imagery confrontational cinematography/lighting KANYE WEST “RUNAWAY,” 2010 film/music video synthesis
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“MEDIEVAL MINSTREL” INTERACTIVE PERFORMANCE recite rap song mise-en-scene/character after each verse, hit piñata THEMES identity--layering class gender costume on costume rhythm authenticity/performance piñata PINATA vessel of cultural appropriation tex-mex culture
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COMPUTER, PROCESSING PROJECTOR VIDEO CAMERA piñata
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3-4 MINUTE VIDEO multiple characters original rap & song mise-en-scene/character incorporate motion graphics THEMES tex-mex/hip-hop cultural elements previously mentioned themes project ii: music video kanye west, “good life”
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1-2 MINUTE INTERACTIVE PERFORMANCE myself original rap & song narrative out of chaotic real-time data THEMES idea of “flow” performance as “real-time” narrative? project iii: live video kalup linzy
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