1. Roman Art And Architecture High Empire and Late Empire

2. Reconstruction – interior of Basilica Ulpia Forum of Trajan Apses Nave Aisles Entrance Clerestory windows

3. The last and largest Imperial Forum. Built by Trajan, but finished under Hadrian. The Greek architect, Apollodorus of Damascus was chosen

5. Trajan’s Column. Roman soldiers building a wooden palisade at the seige of Sarmizethusa, the capital of the Dacian chief Decebalus.

6. Column of Trajan https://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/middle- empire/v/column-of-trajan-completed-113- c-ehttps://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/middle- empire/v/column-of-trajan-completed-113- c-e 5 min. Class quiz

7. Markets of Trajan faculty.cva.edu www.utexas.edu/.../romanciv/30224art1images.htm

8. Comparable in size to a large modern shopping mall, had more than 150 individual shops on several levels. Constructed of concrete (pg.184), brick, with only occasional detailing on stone and wood. Why? Because there was a building code that was put into effect after a disastrous fire.

9. Pantheon exterior reconstruction with forecourt

10. https://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/middle- empire/v/the-pantheon-rome-c-125https://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/middle- empire/v/the-pantheon-rome-c-125 8 min. Class quiz

11. Painting by Giovanni Pannini Pantheon interior Coffers

12. Equestrian statue of Marcus Aurelius

13. Mummy portraits from Faiyum, Egypt Encaustic Regional differences – with other sarcophagus

14. From Hawara, Egypt Roman Period, AD 100-120 Most mummy portraits that have survived have unfortunately become separated from the mummies to which they were attached. Because of this we rarely know the identities of the subjects.

15. The subject of this portrait, painted in encaustic on lime-wood, appears to be a man in his fifties or sixties of strikingly Roman appearance. He is dressed in a tunic with a violet stripe, or clavus, and a thick folded mantle. The hair is brushed forward and cropped in the style of court portraits of the Trajanic period (AD 98-117). Pink has been used to highlight his nose and lips, and dark brown to indicate shading and the contours of the face. The portrait gives the impression of age, authority and austerity. These characteristics were very important in Rome, and are here represented in a very Roman manner.

16. Ludovisi Battle Sarcophagus – Battle of Romans & Barbarians Mithras

17. https://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/middle- empire/v/battle-of-the-romans-and- barbarians-ludovisi-battle-sarcophagus-c- 250-260-c-ehttps://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/middle- empire/v/battle-of-the-romans-and- barbarians-ludovisi-battle-sarcophagus-c- 250-260-c-e 5 min. Class quiz

18. Gardner’s 12 th ed., p. 293 Sarcophagus of a philosopher

19. Arch of Constantine. Art Resource http://employees.oneonta.edu/farberas/arth/arth212/late_antiquity_imp_image.html http://www.culturalresources.com/images/Augustus2.jpg Constantine flanked by statues of Hadrian & Marcus Aurelius Distribution of largess

20. https://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/late- empire/v/arch-of-constantine-315-c-ehttps://www.khanacademy.org/humanities/ ancient-art-civilizations/roman/late- empire/v/arch-of-constantine-315-c-e 10 min

21. http://employees.oneonta.edu/farberas/arth/arth212/late_antiquity_imp_image.html Distribution of largesse, Arch of Constantine