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NARRATIVE IMAGES Relating Painting, Film and Photography
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FOCUS on compositional strategies used by painters, photographers and filmmakers to intensify the drama, tension, excitement, and /or human interest in a picture. IDENTIFY the strategies used in the images in the presentation to follow.
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Edgar Degas, Interior, 1868-69, Philadelphia Museum of Art
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Eric Fischl, The Dining Room, 2002 Fischl, The Dining Room, photograph
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Eric Fischl, The Krefeld Project, Digital Photographs for the series of paintings
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Edward Hopper, Nighthawks, 1942, oil on canvas, Art Institute of Chicago
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Edward Hopper, Woman In The Sun, 1961, oil on canvas, Whitney Museum of American Art
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Gregory Crewdson, Ophelia, from Beneath the Roses series, 2005-2007, c-print
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Shirin Neshat, Zarin series, 2005 Shirin Neshat, video still from Passage
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EDGAR DEGAS Compositions such as this one show the influence of “new” (late 19th century) technology, such as the portable camera, in terms of angle of view and framing.
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PHOTOJOURNALISM Photojournalism refers to images that tell a story, such as those seen in news media and periodicals. It may include documentary, advertising, spot news, sports, human interest, humor and the portrayal of contemporary life.
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Robert Capa, 1.31.1944
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Robert Capa, Omaha Beach, June 6,1944, gelatin silver print
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Paolo Pellegrin, 2006, photographed during conflict in Lebanon, winner of the Robert Capa Award
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Cindy Sherman, Untitled Film Still #14, 1978, gelatin silver print
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Fernando Meirelles and Katia Lund, CITY OF GOD, 2002-03 FILM STILLS Quentin Tarantino, JACKIE BROWN, 1997
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Orson Welles, A Touch Of Evil, 1958
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Sam Mendes, AMERICAN BEAUTY, 1999
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AMERICAN BEAUTY
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Alfred Hitchcock, PSYCHO, 1960 - Look at Saul Bass’s storyboards for this scene
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Hitchcock, NORTH BY NORTHWEST, 1959
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