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Lauren Kirschenbaum, Menachem Menchel, Hartley Perlmutter and Allison Rubin.

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Presentation on theme: "Lauren Kirschenbaum, Menachem Menchel, Hartley Perlmutter and Allison Rubin."— Presentation transcript:

1 Lauren Kirschenbaum, Menachem Menchel, Hartley Perlmutter and Allison Rubin

2 The nature of Jewish education ◦ Children grow up learning the stories of the Bible before reading them inside, and therefore they often approach the text with preconceived notions. Our Interest: ◦ To see how people assimilate the text of Matan Torah with their preconceived notions of the story and other foreknowledge. ◦ To see how different people understand ambiguities within the text and contradictions between what they have learned in the past and what is written in the text.

3  2 Novices (3 rd and 4 th grade boys)  2 Experts (teenage boys in high school)  Protocol: Asked interviewee to: ◦ Summarize Matan Torah based on general knowledge ◦ Draw a picture of Matan Torah ◦ Read verses about Matan Torah (from Sefer Shmot) and explain the ambiguities and offer resolution to discrepancies between their summaries and the pesukim

4  Teenagers are less talkative and need trigger questions  Remember the more dramatic aspects of Matan Torah (Egel Hazahav, breaking the Luchot)  The experts were aware of the abstract aspects depicted in the pesukim (Kanfei Nesharim), while the novices focused on the concrete happenings

5 Some of the key distinctions between our novices and expert interviewees manifest with regard to abstract reasoning versus concrete reasoning EXAMPLES: 1. Shofar 2. “Eagles Wings” 3. “Kedusha” Analysis- Abstract vs. Concrete

6 There were exceptions to this distinction and we could not find consistency between both novices in each example. Analysis- Abstract vs. Concrete

7 Drawings – Novice 1

8 Drawings – Novice 2

9 Drawings – Expert 1

10 Drawings – Expert 2

11 Our analysis of the drawings led us to several interesting observations:  When drawing the ‘scene’ of Matan Torah, people are more likely to recall and to portray the components of the story that are most dramatic  e.g. -- breaking the luchot, despite it not being in the text  A potential theory for this behavior is that it is most memorable Analysis- Drawings

12 Our analysis of the drawings led us to several interesting observations:  ‘Depicting’ God:  Both novices and Expert 2, seemed to want to portray God in a physical way, within the picture.  Novice 1 -- wrote the letter “hei” in a cloud  Novice 2 -- ?  Expert 2 – A cloud covering the whole sky Analysis- Drawings

13 Our interviewees demonstrated numerous schemas, as well as a few mental models. Schemas:  Both novices and Expert 2 incorporated a schema of rounded luchot included a picture of rounded luchot in their drawings  Novice 1 incorporated a schema associating fire with wood and thus, in depicting fire, he drew a charred branch -- this seemed to be a manifestation of his need for concrete reasoning because from his perspective, fire needs to burn something. Processes

14 (continued)  Novice 1 demonstrated a schema that mountains have snow at their tops  Novice 2 incorporated a schema of language and prefixes which manifest in his understanding of the word “encamped”  Expert 1 exhibited a story script associating greatness with the drum roll effect. He described thunder and lightning as the drum roll of God Processes

15 (continued)  Expert 2 described Matan Torah within its own schema Processes

16 Mental Models  Utilizing a drawing to depict a story is a mental model that was employed by all interviewees (and prompted by interviewers)  Novice 2 attempted to construct a mental model when discussing where Hashem/God was Processes

17  Experts remembered Matan Torah according to the stories they are taught in elementary school, even if they learned Shmot again in High School  This might teach us to re-evaluate how we teach Jewish Studies. Vivid stories seem to be more effective then learning from the pasuk.


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