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(LATE 18th-EARLY 19th CENTURIES)
NEOCLASSICAL ART (LATE 18th-EARLY 19th CENTURIES) Morally uplifting, inspire sacrifice for the state Discovery of Pompeii and Herculaneum (1748) sparked renewed interest in classical art. Figures depicted as classical characters with classical virtues
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Angelica Kauffman Mother of the Gracchi
-depicts classical ideal of sacrificing self-interests for the family
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Jacques-Louis David Oath of the Horatii
Most prominent French Neoclassical painter Balanced and symmetrical composition Classical architecture-round arches Idealized bodies resemble classical sculpture Ilustrates ideal of self-sacrifice for the state
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Jacques-Louis David Death of Marat
Marat sacrificed his life for the sake of the people Note similarity to Michelangelo's Pieta Jacques-Louis David became painter to Napoleon
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Coronation of Napoleon by Jacques-Louis David
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Jean-Antoine Houdon (late 18th century)
Portrayed distinguished figures of his time Portrait of Voltaire connects him to classical figures Portrait of Washington uses contrapposto and a mix of Roman and American symbols
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Antonio Canova (early 19th century)
Mythological themes reflect interest in classicism Pauline Borghese as venus-Napoleon's sister as a reclining classical nude
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Grand Odalisque - Ingres
Recumbent nude Mannerist elements--elongated back and twisted pose Romantic elements--exotic subject matter Champion of Neoclassicism Strongly influenced by the work of Raphael
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Neoclassical Architecture
Inspired by Roman architecture--especially the Pantheon Influenced by Palladio
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Chiswick House-18th century by Lord Burlington
Influenced by Villa Rotunda and Pantheon Classical values of balance and symmetry
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Monticello-18th century by Thomas Jefferson
Jefferson believed that Neoclassical architecture was the best style for the new American republic. Influence of Pantheon and Villa Rotunda-portico, central dome and symmetry Neoclassical in American also called the Federal Style
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