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Cine in Latin America Mexico and Brazil’s Cinema
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What do we call Golden Age of Mexican Cinema La Época de oro del cine mexicano A period between 1936 and 1969. ¡Vámonos con Pancho Villa! (1935).
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What is happening in the United States during that period? In 1939 Europe and the US WW II The greed of war affected the film industries of these regions.
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We talked about how Latin America were allies Caribe and South American countries were not involved, unlike México. After Germany attacked PEMEX oil tankers in the golf of México.
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In 1942 Germans attacked two Hispanic Countries Mexico and Brazil
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What happened to México after 1942? It encountered a scarcity of consumer goods, including film. … Mexican film industry found new sources of materials and equipment.
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Why Mexican cinema became popular? While Mexican movie industry focused on other topics such as society and family issues, social values (fidelity, love, et cetera) and Mexican indigenous. Thus, México became dominant in the Mexican and Latin American markets.
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Allá en el rancho grande The rural genre but also in the musical/comedy genre
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La perla (1947) A drama film. This last film was written by Pullitzer prize-winning author John Steinbeck and adapted to the screen by Emilio Fernández "El Indio" who also directed it.
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Jalisco canta en Sevilla (1949) http://www.youtube.com/watch?v=ObDWtMQ93ws&fe ature=related Jorge Negrete and Pedro Infante
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Mexican divas Dolores del Río María Féliz http://www.youtube.com/watch?v=Gda Ll6Tjx88
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About Dolores del Río María Candelaria (1943) http://www.youtube.com/watch?v=ZYOt9ysGibA Gallery http://www.youtube.com/watch?v=DHkhMS9VC- g&feature=related Movie http://www.youtube.com/watch?v=gDJQ42TQSMA
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Rumbera’s film It was a sub-genre film of the Golden Age of Mexican Cinema. Plots were set primarily in cabarets. His principal stars were the actresses and dancers known as "Rumberas” such as Ninon Sevilla
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Most known “Rumbera Dancers” CUBA: Ninón Sevilla: Aventurera (1950) Rita Montaner: Víctimas del pecado (1950) Rosa Carmina ARGENTINA: Amalia Aguilar: SPAIN: María Antonieta Pons
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Chiquita Banana http://www.youtube.com/watch?v=0A834CwzNHI&fea ture=related By The Terry Twins
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Brazilian Cinema Best production is in 1946, Gilda de Abreu's O Ébrio, a film very much representative of typical Latin melodrama. In 1939, President Getúlio Vargas created a decree.
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Carmen Miranda 0 Mama eu quero (Lyrics, 1936) 0 http://www.youtube.com/watch?feature=endscreen&NR=1&v=r ghDW0qCANE http://www.youtube.com/watch?feature=endscreen&NR=1&v=r ghDW0qCANE 0 South American Way (Lyrics, 1939) 0 http://www.youtube.com/watch?v=FONClVVgp58&feature=rela ted http://www.youtube.com/watch?v=FONClVVgp58&feature=rela ted 0 Copacabana (1947) 0 http://www.youtube.com/watch?v=wFOogEdoQwo&feature=rel ated http://www.youtube.com/watch?v=wFOogEdoQwo&feature=rel ated 0 Week-end in the Habana (1951) 0 http://www.youtube.com/watch?v=H1KmUV7jaag&feature=rela ted http://www.youtube.com/watch?v=H1KmUV7jaag&feature=rela ted
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Brazilian music (Bossa Nova Style) Antonio Carlos Jobim Caetano Velloso Gilberto Gil Regina Ellis Chico Buarque Rita Lee
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Cinema Novo (60’s) Glauber Rocha, a very political filmmaker from Bahia, quickly became the most notable director, often held as "leader" of the movement. His work possesses many allegorical elements, strong political critique and an impeccable mise-en-scene that were readily embraced by intellectuals. Deus e o Diabo na Terra do Sol Terra em Transe
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Current Cinema Brazil is the home of an important national cinema, which has received less recognition in North America and other parts of the world than it has deserved, until the very recent international success of Central do Brasil (Central Station, directed by Walter Salles, 1998) and Fernando Meirelles/Katia Lund’s Cidade de Deus (City of God, 2002).
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Other Movies are Casseta & Planeta Os Normais Tropa de Elite D’outro lado da rua Ao omen que fotocopiaba
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